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In the heart of Australia, on the cracked red earth, among wild vegetation, weathered bush, and dried-up creeks, hundreds of invisible pathways exist that become entangled on the earth's surface, underground, and in the sky, clouds, and wind. The Aboriginal people call them Jukurrpa: “the Dreamings.” This web is the Warlpiri land. Practicing the Dreaming, by ritual art, is for the Warlpiri a way to reactivate their ancestral traditions to connect with the cosmos and respond to current social and political issues.

In 1979, anthropologist Barbara Glowczewski embarked on a journey to study the Warlpiri in the Australian outback. Struggling at once to maintain their traditions and cultural heritage as well as adapting to the continuing secularization and techno-progress of their European Australian counterparts, she takes us into the landscape, artistic rituals, and turmoil of the Warlpiri over three decades. Becoming accepted among Aboriginal families as a translator, and at the same time a negotiator of two vastly different visions of the earth, contemporary Western culture and the ancient indigenous dreaming culture, Glowczewski created a singular document of ethnological fieldwork and of self-transformation and discovery.

Table of Contents

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  1. Cover
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  1. Title page, Copyright
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  1. Table of Contents
  2. pp. 1-3
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  1. Image plates, Acknowledgements, Maps, Dedication
  2. pp. 4-14
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  1. Future Dreaming
  2. pp. 15-24
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  1. Prelude
  2. pp. 25-28
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  1. Part One (1988)
  2. pp. 29-30
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  1. A Warlpiri Family
  2. pp. 31-38
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  1. Lajamanu
  2. pp. 39-48
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  1. Yapa and Kardiya
  2. pp. 49-54
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  1. Royalties
  2. pp. 55-62
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  1. Nostalgia
  2. pp. 63-70
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  1. Part Two (1979)
  2. pp. 71-72
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  1. What is your Skin?
  2. pp. 73-80
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  1. The Businesswomen
  2. pp. 81-88
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  1. Kajirri
  2. pp. 89-94
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  1. Totems and Taboos
  2. pp. 95-104
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  1. The Truck
  2. pp. 105-112
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  1. In Search of the Dreaming
  2. pp. 113-122
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  1. Part Three (1979 – 1983)
  2. pp. 123-124
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  1. The Film
  2. pp. 125-128
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  1. Everything Collapses
  2. pp. 129-136
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  1. The Trial
  2. pp. 137-146
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  1. Reunion
  2. pp. 147-154
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  1. The Warlpiri in Paris
  2. pp. 155-162
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  1. Part Four (1984)
  2. pp. 163-170
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  1. A House for Women
  2. pp. 171-178
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  1. Possum and the Men
  2. pp. 179-188
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  1. The Revelation
  2. pp. 189-200
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  1. The Voice of the Nights
  2. pp. 201-206
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  1. Stories of Spirit-Children
  2. pp. 207-214
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  1. Part Five (1984)
  2. pp. 215-216
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  1. The Black Dog
  2. pp. 217-224
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  1. The Shield Ceremony
  2. pp. 225-234
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  1. Shamans
  2. pp. 235-242
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  1. A Ritual Convoy
  2. pp. 243-254
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  1. Part Six (1988)
  2. pp. 255-256
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  1. Changes
  2. pp. 257-264
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  1. Is God a Dream(ing)?
  2. pp. 265-274
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  1. The Hypercube
  2. pp. 275-280
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  1. How to Say Afterwards
  2. pp. 281-286
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  1. Postface to Pocket Edition, Actes Sud (1996)
  2. pp. 287-296
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  1. Annex (2013)
  2. pp. 297-298
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  1. We Have a Dreaming: How to Translate Totemic Existential Territories through Digital Tools
  2. pp. 299-324
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