Cover

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Title Page

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p. iii

Copyright Page

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p. iv

Dedication

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p. v

Table of Contents

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p. vii

List of Illustrations

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pp. ix-xi

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Acknowledgments

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p. xiii

My research has benefited from the assistance of many kind scholars. Foremost among them is Earle G. Shettleworth, Jr., without whose assistance and encouragement this book would not have been written. Moreover, a good deal of information, particularly about the Maine projects, was made available to me through the extensive files of the Maine Historic...

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Introduction

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pp. 1-4

Looking back at the life of Gridley J. F. Bryant (1816–1899) in 1901, his friend Henry Bailey characterized him as “An Architect of the Old School.”1 What Bailey referred to as “old school” was an era of unregulated building, when traditions of craftsmanship were being replaced by products of the machine age. Bryant’s career began in the early nineteenth century, when ...

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Chapter 1: Granite Bred in the Bone

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pp. 5-31

Gridley J. F. Bryant (fig. 1.1) grew up in a world of granite construction. Although brick was the predominant building material used in Boston, major architectural landmarks erected after Bryant’s birth in 1816 were often built of granite derived from regional quarries. The architect’s father, also named Gridley (fig. 1.2), worked as a mason and constructed...

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Chapter 2: Mastering His Profession

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pp. 32-50

By the beginning of the new decade, the economy had still not improved. Indeed, the economic depression had grown more serious over the summer of 1839. There continued to be new construction to meet the needs of the growing population, but as late as 1843 a local newspaper cautioned those in the building trades against coming to Boston in search of work:...

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Chapter 3: Architecture and Reform

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pp. 51-75

The great social reform movements that swept Boston during the early nineteenth century offered architects opportunities to develop original design solutions for specialized buildings. Traditionally, buildings erected for charitable causes operated under very tight budgets, and the resulting architecture was often plain in appearance and conventional in plan. Typical...

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Chapter 4: Transforming Boston

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pp. 76-94

Bryant’s success in winning commissions for public buildings garnered the architect considerable publicity, as well as important contacts with wealthy citizens. In the early 1850s Bryant’s office was turning out drawings for the almshouses in Boston and Cambridge and large jails in Boston, Cambridge, Dedham, Lawrence, and Northampton. At the same time, the architect was busy working to secure the major prize of designing an addition...

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Chapter 5: From Down East to San Francisco Bay

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pp. 95-114

By his own account, Gridley Bryant was a man of extraordinary energy. Not content to work in the Boston area, he made extensive use of the new railroad lines built throughout New En gland to establish a regional practice. As with his work in the Boston area, securing commissions for prominent public projects was important as a means of enhancing his reputation...

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Chapter 6: Bryant and Gilman

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pp. 115-139

On the eve of the Civil War, Boston had finally recovered from the financial crisis of 1857 and was continuing the great period of residential expansion which had begun in the early years of the decade. Gridley Bryant had been very successful, both locally and regionally, and the fact that the country was about to enter a period of grave crisis did not significantly...

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Chapter 7: Bryant and Rogers

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pp. 140-159

The post–Civil War period brought economic prosperity and change in the architectural profession. In 1865 fifty-seven firms were listed in the Boston city directory. By 1872 that number had almost doubled. Bryant had remained eager to work with a variety of designers on various projects even during the years when he and Gilman shared an office. In 1865–66 he collaborated on several projects...

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Chapter 8: An Architect of the Nineteenth Century

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pp. 160-173

The end of the Bryant-Rogers partnership coincided with continuing radical changes in architectural fashions in the United States. As noted, for a brief period the High Victorian Gothic style had supplanted the Second Empire style in the design of many of the most prominent architectural landmarks. Nonetheless, the High Victorian Gothic also lost favor by the...

Appendixes

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pp. 175-198

Notes

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pp. 199-215

Bibliography

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pp. 217-220

Index

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pp. 221-224

Back Cover

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