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All Souls: Essential Poems brings together work that reflects the interweaving of history, memory, and the indelible bonds between living and dead that has marked the output of Louisiana Poet Laureate Emerita Brenda Marie Osbey. Comprising poems written and published over the span of four decades, this thematic collection highlights the unity of Osbey’s voice and narrative intent.

The six sections of the book reveal the breadth of her poetic vision. The first, “House in the Faubourg,” contains poems focused on the people and places of Osbey’s native New Orleans, and the penultimate section, “Unfinished Coffees,” examines the Crescent City within a broader, more contemporary meditation on culture. “Something about Trains” features two suites of poems that use trains and railway stations as settings from which to inspect desolation, writing, and memory; and “Little History, Part One” recounts tales of European settlement and exploitation of the New World. The poems in “What Hunger” look at the many facets of desire, while “Mourning Like a Skin” includes elegies and poems addressing the lasting presence of the dead.

Dynamic and unflinching, the poems in All Souls speak of a world with many secrets, known “only through having learned them / the hardest way.”

Table of Contents

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  1. Cover
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  1. Title page, Copyright, Dedication
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  1. Contents
  2. pp. vii-x
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  1. Acknowledgments
  2. p. xi
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  1. Prologue: Widows of Tremé
  2. p. xiii
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  1. 1. HOUSE IN THE FAUBOURG
  1. The House in the Street Where Memory Lives
  2. pp. 3-4
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  1. Faubourg
  2. pp. 5-6
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  1. The Old Women on Burgundy Street
  2. pp. 7-8
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  1. Living in the Tan House
  2. pp. 9-14
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  1. Madhouses
  2. pp. 15-19
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  1. Ramona Véagis
  2. pp. 20-25
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  1. Chifalta
  2. pp. 26-30
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  1. Ceremony for Minneconjoux
  2. pp. 31-41
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  1. Elvena
  2. pp. 42-46
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  1. Faubourg Study: Rain
  2. pp. 47-54
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  1. Regina
  2. pp. 55-56
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  1. Memory No. 2
  2. pp. 57-60
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  1. Faubourg Study: Blood
  2. pp. 61-67
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  1. Morning
  2. pp. 68-69
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  1. Faubourg Study No. 3: The Seven Sisters of New Orleans
  2. pp. 70-89
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  1. House of Mercies
  2. p. 90
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  1. The House
  2. pp. 91-96
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  1. 2. MOURNING LIKE A SKIN
  1. Peculiar Fascination with the Dead
  2. pp. 99-110
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  1. Stones of Soweto
  2. pp. 111-115
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  1. Another Time and Farther South
  2. pp. 116-117
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  1. Requiem for a Chief
  2. pp. 118-120
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  1. For Charles H. Rowell, on the Death of His Father
  2. pp. 121-123
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  1. Requiem for a Tall Man
  2. pp. 124-127
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  1. Alberta (Factory Poem / Variation 2)
  2. pp. 128-134
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  1. 3. SOMETHING ABOUT TRAINS
  1. Speaking of Trains
  2. pp. 137-145
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  1. New Train Study
  2. pp. 146-152
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  1. 4. LITTLE HISTORY, PART ONE
  1. Qu’on Arrive Enfin
  2. pp. 155-158
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  1. Slaves to the City
  2. pp. 159-160
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  1. The Business of Pursuit: San Malo’s Prayer
  2. pp. 161-167
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  1. The Head of Luís Congo Speaks
  2. pp. 168-173
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  1. DOM-TOM Primer
  2. pp. 174-178
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  1. Regarding the Intermediate Travels of Cristóval Colón
  2. pp. 179-189
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  1. History
  2. pp. 190-209
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  1. Canne à Sucre: A Slave-Song Suite
  2. pp. 210-216
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  1. 5. UNFINISHED COFFEES
  1. Everything Happens to (Monk and) Me
  2. pp. 219-223
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  1. Expeditus
  2. pp. 224-228
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  1. The Evening News: A Letter to Nina Simone
  2. pp. 229-237
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  1. Litany of Our Lady
  2. pp. 238-239
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  1. Suicide City
  2. pp. 240-248
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  1. 6. WHAT HUNGER
  1. Desire and Private Griefs
  2. pp. 251-256
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  1. House of the Dead Remembering (House of Mercies / Variation 2)
  2. pp. 257-260
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  1. Evidence of Conjure
  2. pp. 261-265
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  1. Freeing your Hands
  2. pp. 266-267
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  1. Movement 1 / part one
  2. pp. 268-270
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  1. Against the Bone
  2. p. 271
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  1. Memory No. 1
  2. pp. 272-275
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  1. The Wastrel-Woman Poem
  2. pp. 276-278
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  1. Glossary and Notes
  2. pp. 279-294
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  1. Author Biography
  2. p. 295
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