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Fragrant tropical flowers, opulent batik fabrics, magnificent bronze gamelan orchestras, and, of course, aromatic coffee. Such are the exotic images of Java, Indonesia’s most densely populated island, that have hovered at the periphery of North American imaginations for generations. Through close readings of the careers of four “javaphiles”—individuals who embraced Javanese performing arts in their own quests for a sense of belonging— this volume explores a century of representations of Javanese performing arts by North Americans. While other Asian cultures made direct impressions on Americans by virtue of firsthand contacts through immigration, trade, and war, the distance between Java and America, and the vagueness of Americans’ imagery, enabled a few disenfranchised musicians and dancers to fashion alternative identities through bold and idiosyncratic representations of Javanese music and dance.

Table of Contents

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  1. Cover
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  1. Title page, Copyright
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  1. Contents
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  1. Preface
  2. pp. vii-xii
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  1. 1. A Tale of Two Expos
  2. pp. 1-25
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  1. 2. Roots of American “Javas”: The 1893 World's Columbian Exposition
  2. pp. 26-55
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  1. 3. Java to Jazz: Eva Gauthier
  2. pp. 56-87
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  1. 4. “To Make Ourselves Complete”: Stowitts
  2. pp. 88-123
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  1. 5. Man(tle Hood), the Unknown
  2. pp. 124-151
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  1. 6. More Western than It Sounds: Lou Harrison
  2. pp. 152-182
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  1. 7. Javaphilia, Then and Now
  2. pp. 183-200
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  1. Appendix I The Tuning of the 1893 Gamelan
  2. pp. 201-204
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  1. Appendix II Javanese Kraton, Names, and Titles
  2. pp. 205-208
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  1. Notes
  2. pp. 209-230
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  1. References
  2. pp. 231-256
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  1. Index
  2. pp. 257-269
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