In this Book

  • Born of Resistance: Cara a Cara Encounters with Chicana/o Visual Culture
  • Book
  • Edited by Scott L. Baugh and Víctor A. Sorell
  • 2015
  • Published by: University of Arizona Press
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summary
This collection of essays interrogates the most contested social, political, and aesthetic concept in Chicana/o cultural studies—resistance.

If Chicana/o culture was born of resistance amid assimilation and nationalistic forces, how has it evolved into the twenty-first century? This groundbreaking volume redresses the central idea of resistance in Chicana/o visual cultural expression through nine clustered discussions, each coordinating scholarly, critical, curatorial, and historical contextualizations alongside artist statements and interviews. Landmark artistic works—illustrations, paintings, sculpture, photography, film, and television—anchor each section. Contributors include David Avalos, Mel Casas, Ester Hernández, Nicholas Herrera, Luis Jiménez, Ellen Landis, Yolanda López, Richard Lou, Delilah Montoya, Laura Pérez, Lourdes Portillo, Luis Tapia, Chuy Treviño, Willie Varela, Kathy Vargas, René Yañez, Yvonne Yarbro-Bejarano, and more. Cara a cara, face-to-face, encounters across the collection reveal the varied richness of resistant strategies, movidas, as they position crucial terms of debate surrounding resistance, including subversion, oppression, affirmation, and identification.

The essays in the collection represent a wide array of perspectives on Chicana/o visual culture. Editors Scott L. Baugh and Víctor A. Sorell have curated a dialog among the many voices, creating an important new volume that redefines the role of resistance in Chicana/o visual arts and cultural expression.

Table of Contents

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  1. Cover
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  1. Title page, Copyright
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  1. Contents
  2. pp. v-viii
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  1. Acknowledgments
  2. pp. ix-xii
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  1. Introduction: Resisting Definitions of Chicana/o Visual Culture (Scott L. Baugh and Víctor A. Sorell)
  2. Scott L. Baugh, Víctor A. Sorell
  3. pp. 3-36
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  1. Part I
  1. (Re)Forming America’s Libertad (Ester Hernández)
  2. Ester Hernández
  3. pp. 38-41
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  1. Freedom and Gender in Ester Hernández’s Libertad
  2. Laura E. Pérez
  3. pp. 42-47
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  1. A Conversation with Yolanda López and Víctor A. Sorell
  2. pp. 48-51
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  1. Thoughts on Who’s the Illegal Pilgrim
  2. René Yañez
  3. pp. 52-53
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  1. Remapping America in Ester Hernández’s Libertad and Yolanda López’s Who’s the Illegal Alien, Pilgrim?
  2. Yvonne Yarbro-Bejarano
  3. pp. 54-67
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  1. Part II
  1. San Diego Donkey Cart Reconsidered
  2. David Avalos
  3. pp. 69-78
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  1. A Remembered Dismemberment: David Avalos’s San Diego Donkey Cart
  2. Lynn Schuette
  3. pp. 79-84
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  1. The Border Door: Complicating a Binary Space
  2. Richard A. Lou
  3. pp. 85-95
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  1. Through The Border Door
  2. Patricio Chávez
  3. pp. 96-102
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  1. Public Interventions and Social Disruptions
  2. Guisela Latorre
  3. pp. 103-110
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  1. Part III
  1. Thoughts on Dos Pedros sin Llaves
  2. Luis Tapia with Carmella Padilla
  3. pp. 112-119
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  1. Thoughts on St. Peter Is Imprisoned
  2. (Nicholas Herrera, Sallie Gallegos)
  3. pp. 120-125
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  1. Pedro in the Pinta, Have You Seen My Keys?: Inside the Art of Luis Tapia and Nicholas Herrera
  2. Tey Marianna Nunn
  3. pp. 126-129
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  1. The Persistence of Chicana/o Art: Contemporary Santeros Reinterpret a Traditional Santo
  2. Víctor A. Sorell
  3. pp. 130-134
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  1. Part IV
  1. From Man on Fire
  2. Luis Jiménez
  3. pp. 136-137
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  1. Editorial Note
  2. Scott L. Baugh, Víctor A. Sorell
  3. pp. 138-139
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  1. Rearing Mustang, Razing Mesteño
  2. Delilah Montoya
  3. pp. 140-149
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  1. Kindred Spirits: On the Art and Life of Luis Jiménez
  2. Ellen Landis
  3. pp. 150-156
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  1. Occupying a Space Between Myth and Reality: The Sculpture of Luis Jiménez
  2. Charles R. Loving
  3. pp. 157-161
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  1. Part V
  1. A Conversation with Mel Casas and Rubén C. Cordova
  2. pp. 163-172
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  1. Brown Paper Report
  2. Mel Casas and Con Safo
  3. pp. 173-174
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  1. A Contingency Factor
  2. Mel Casas and Con Safo
  3. pp. 175-176
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  1. Getting the Big Picture: Political Themes in the Humanscapes of Mel Casas
  2. Rubén C. Cordova
  3. pp. 177-194
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  1. Part VI
  1. Revisiting My Alamo
  2. Kathy Vargas
  3. pp. 196-213
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  1. Malinche y Pocahontas, Breaking Out of the Picture
  2. Robert C. Buitrón
  3. pp. 214-220
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  1. From “Many Wests”
  2. Chon A. Noriega
  3. pp. 221-223
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  1. Topographies of the Imaginary: Kathy Vargas’s My Alamo and Robert C. Buitrón’s El Corrido de Happy Trails
  2. Jennifer A. González
  3. pp. 224-229
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  1. Where Carnales Were, There Shall Unprodigal Daughters Be: Kathy Vargas’s My Alamo and Robert C. Buitrón’s Malinche y Pocahontas
  2. Asta Kuusinen
  3. pp. 230-237
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  1. Part VII
  1. A Conversation with Willie Varela and Scott L. Baugh
  2. pp. 239-245
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  1. In This Burning World, Willie Varela Resists
  2. Kate Bonansinga
  3. pp. 246-251
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  1. Sense and Sensibilities: Discontinuing Conventions in/for Willie Varela’s Burning World
  2. Scott L. Baugh
  3. pp. 252-260
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  1. Part VIII
  1. Tracking the Monster: Thoughts on Señorita Extraviada
  2. Lourdes Portillo
  3. pp. 262-270
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  1. Between Anger and Love: The Presence of Señorita Extraviada
  2. Bienvenida Matías
  3. pp. 271-275
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  1. The Eye of Pain/El Ojo del Dolor
  2. Claire Joysmith
  3. pp. 276-281
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  1. Resisting the Violence of Values: Lourdes Portillo’s Señorita Extraviada as Performative Utterance
  2. Mónica F. Torres
  3. pp. 282-287
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  1. Part IX
  1. From Yo Soy Chicano to Resurrection Blvd., Thirty Years of Struggle
  2. Jesús Salvador Treviño
  3. pp. 289-298
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  1. A Conversation with Dennis Leoni and Christine List
  2. pp. 299-306
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  1. De-Essentializing Chicanismo: Interethnic Cooperation in the Work of Jesús Salvador Treviño
  2. Juan J. Alonzo
  3. pp. 307-315
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  1. Editors and Contributors
  2. pp. 316-335
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  1. Index
  2. pp. 336-349
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