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summary
A study of the lost golden age of Soviet cinema, which was a time of both achievement and contradiction, as reflected in the films of Eisenstein, Pudovkin, and Kuleshov.

Table of Contents

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  1. Cover
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  1. Title page, Copyright
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  1. Contents
  2. p. v
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  1. Preface
  2. pp. vii-x
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  1. Preface to the Paperback Edition
  2. pp. xi-xii
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  1. Introduction
  2. pp. xiii-xvi
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  1. 1. Beginnings (1918-23)
  2. pp. 1-20
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  1. 2. The Turning Point (1924)
  2. pp. 21-38
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  1. 3.The New Course: Sovkino Policy and Industry Response (1925-26)
  2. pp. 39-62
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  1. 4. Filmmaking and Films (1925-26)
  2. pp. 63-108
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  1. 5. Sovkino under Fire (1927-28)
  2. pp. 109-132
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  1. 6. The Crisis in Production (1927-28)
  2. pp. 133-156
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  1. 7. The Party Conference and the Attempt to Restructure (1928-29)
  2. pp. 157-188
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  1. 8. The Purge Years and the Struggle against Formalism (1929-34)
  2. pp. 189-220
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  1. 9. The Advent of Sound and the Triumph of Realism (1928-35)
  2. pp. 221-232
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  1. Conclusion
  2. pp. 233-238
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  1. Appendix 1. Film Production by Studio by Year (1918-35)
  2. pp. 239-242
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  1. Appendix 2. Genres by Year (1918-35)
  2. pp. 243-246
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  1. Notes
  2. pp. 247-294
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  1. Bibliography
  2. pp. 295-322
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  1. Index
  2. pp. 323-336
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