In this Book

Irene Rice Pereira
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summary
The first intellectual history of a significant figure in the New York art world of the 1930s and 1940s, who shared an interest in Jungianism with the better-known Abstract Expressionists and with various women artists and writers seeking "archetypal" imagery.

Table of Contents

  1. Cover
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  1. Title page, Copyright, Dedication
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  1. Contents
  2. p. vii
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  1. Acknowledgments
  2. pp. xi-xiv
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  1. Introduction
  2. pp. xv-xviii
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  1. 1. Background, Training, and Early Philosophical Readings
  2. pp. 1-27
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  1. 2. Exploring the Relationship between Artist and Society
  2. pp. 28-61
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  1. 3. The Design Laboratory and Pereira's Introduction to Bauhaus Theories
  2. pp. 62-94
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  1. 4. The "Glass Age" and Pereia's First Paintings on Glass
  2. pp. 95-118
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  1. 5. Pereira's Study of Perception: Hildebrand, Worringer, Hinton, and Giedion
  2. pp. 119-137
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  1. 6. The Impact of jung, Alchemy, and Tales of Transformation on Pereira's Abstract Symbolism
  2. pp. 138-177
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  1. 7. Reconciling the Inner-Outer Duality: Pereira's Philosophy of Space, Time, and Light
  2. pp. 178-214
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  1. 8. Pereira versus Abstract Expressionism
  2. pp. 215-228
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  1. Conclusion
  2. pp. 229-232
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  1. Appendix 1: Chronology
  2. pp. 233-239
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  1. Appendix 2: Exhibitions
  2. pp. 240-250
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  1. Notes
  2. pp. 251-300
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  1. Selected Bibliography
  2. pp. 301-316
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  1. Index
  2. pp. 317-324
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