In this Book

  • Writing America: Literary Landmarks from Walden Pond to Wounded Knee (A Reader's Companion)
  • Book
  • Fishkin, Shelley Fisher
  • 2015
  • Published by: Rutgers University Press
summary
Winner of the John S. Tuckey 2017 Lifetime Achievement Award for Mark Twain Scholarship from The Center for Mark Twain Studies

American novelist E.L. Doctorow once observed that literature “endows places with meaning.” Yet, as this wide-ranging new book vividly illustrates, understanding the places that shaped American writers’ lives and their art can provide deep insight into what makes their literature truly meaningful.
 
Published on the eve of the 50th anniversary of the Historic Preservation Act, Writing America is a unique, passionate, and eclectic series of meditations on literature and history, covering over 150 important National Register historic sites, all pivotal to the stories that make up America, from chapels to battlefields; from plantations to immigration stations; and from theaters to internment camps. The book considers not only the traditional sites for literary tourism, such as Mark Twain’s sumptuous Connecticut home and the peaceful woods surrounding Walden Pond, but also locations that highlight the diversity of American literature, from the New York tenements that spawned Abraham Cahan’s fiction to the Texas pump house that irrigated the fields in which the farm workers central to Gloria Anzaldúa’s poetry picked produce. Rather than just providing a cursory overview of these authors’ achievements, acclaimed literary scholar and cultural historian Shelley Fisher Fishkin offers a deep and personal reflection on how key sites bore witness to the struggles of American writers and inspired their dreams. She probes the global impact of American writers’ innovative art and also examines the distinctive contributions to American culture by American writers who wrote in languages other than English, including Yiddish, Chinese, and Spanish.   
 
Only a scholar with as wide-ranging interests as Shelley Fisher Fishkin would dare to bring together in one book writers as diverse as Gloria Anzaldúa, Nicholas Black Elk, David Bradley, Abraham Cahan, S. Alice Callahan, Raymond Chandler, Frank Chin, Elizabeth Cook-Lynn, Countee Cullen, Frederick Douglass, Paul Laurence Dunbar, Jessie Fauset, William Faulkner, F. Scott Fitzgerald, Allen Ginsberg, Jovita González, Rolando Hinojosa, Langston Hughes,  Zora Neale Hurston, Lawson Fusao Inada,  James Weldon Johnson,  Erica Jong, Maxine Hong Kingston, Irena Klepfisz, Nella Larsen, Emma Lazarus, Sinclair Lewis, Genny Lim, Claude McKay, Herman Melville, N. Scott Momaday, William Northup, John Okada, Miné Okubo, Simon Ortiz, Américo Paredes, John P. Parker, Ann Petry, Tomás Rivera, Wendy Rose, Morris Rosenfeld, John Steinbeck, Harriet Beecher Stowe, Henry David Thoreau, Mark Twain, Yoshiko Uchida, Tino Villanueva, Nathanael West, Walt Whitman, Richard Wright, Hisaye Yamamoto, Anzia Yezierska, and Zitkala-Ša.
 
Leading readers on an enticing journey across the borders of physical places and imaginative terrains, the book includes over 60 images, and extended excerpts from a variety of literary works. Each chapter ends with resources for further exploration. Writing America reveals the alchemy though which American writers have transformed the world around them into art, changing their world and ours in the process.

Table of Contents

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  1. Title Page, Copyright Page
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  1. Contents
  2. pp. v-vi
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  1. List of Illustrations
  2. pp. vii-x
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  1. Introduction: The Literary Landscape
  2. pp. 1-16
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  1. 1. Celebrating the Many in One: Walt Whitman Birthplace, Huntington Station, New York
  2. pp. 17-42
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  1. 2. Living in Harmony with Nature: Walden Pond State Reservation, Concord and Lincoln, Massachusetts
  2. pp. 43-68
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  1. 3. Freedom’s Port: The New Bedford Whaling National Historical Park, New Bedford, Massachusetts
  2. pp. 69-92
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  1. 4. The House that Uncle Tom’s Cabin Bought: Harriet Beecher Stowe House, Hartford, Connecticut
  2. pp. 93-112
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  1. 5. The Irony of American History: The Mark Twain Boyhood Home, Hannibal, Missouri, and the Mark Twain House and Museum, Hartford, Connecticut
  2. pp. 113-146
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  1. 6. Native American Voices Remember Wounded Knee: Wounded Knee National Historic Monument, Pine Ridge Indian Reservation, South Dakota
  2. pp. 147-170
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  1. 7. “I Know Why the Caged Bird Sings”: The Paul Laurence Dunbar House and Museum, Dayton, Ohio
  2. pp. 171-200
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  1. 8. Leaving the Old World for the New: The Tenement Museum, New York City
  2. pp. 201-228
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  1. 9. The Revolt from the Village: Original Main Street Historic District, Sauk Centre, Minnesota
  2. pp. 229-244
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  1. 12. Mexican American Writers in the Borderlands of Culture: La Lomita, Roma, San Ygnacio, and San Agustin de Laredo Historic Districts, Lower Rio Grande Valley, Texas
  2. pp. 303-336
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  1. 13. American Writers and Dreams of the Silver Screen: Hollywood Boulevard Commercial and Entertainment District, Los Angeles, California
  2. pp. 337-362
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  1. Acknowledgments
  2. pp. 363-368
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  1. Copyrights and Permissions
  2. pp. 369-370
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  1. Index of Writers
  2. pp. 371-376
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  1. Index of Historic Sites
  2. pp. 377-382
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  1. About the Author
  2. pp. 383-384
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