In this Book

summary
Merry Laughter and Angry Curses reveals how the late-Qing-era tabloid press became the voice of the people. As periodical publishing reached a fever pitch, tabloids had free rein to criticize officials, mock the elite, and scandalize readers. Tabloid writers produced a massive amount of anti-establishment literature, whose distinctive humour and satirical style were both potent and popular. This book shows the tabloid community to be both a producer of meanings and a participant in the social and cultural dialogue that would shake the foundations of imperial China and lead to the 1911 Republican Revolution.

Table of Contents

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  1. Title Page, Copyright
  2. pp. i-iv
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  1. Contents
  2. pp. v-vi
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  1. Illustrations
  2. pp. vii-viii
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  1. Acknowledgments
  2. pp. ix-xii
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  1. Introduction
  2. pp. 1-23
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  1. 1 Community of Fun
  2. pp. 24-53
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  1. 2 Officialdom Unmasked
  2. pp. 54-84
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  1. 3 Imagining the Nation
  2. pp. 85-111
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  1. 4 Confronting the “New”
  2. pp. 112-135
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  1. 5 Questioning the Appropriators
  2. pp. 136-155
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  1. 6 The Market, Populism, and Aesthetics
  2. pp. 156-177
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  1. Conclusion
  2. pp. 178-185
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  1. Notes
  2. pp. 186-208
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  1. Glossary of Chinese Terms and Names
  2. pp. 209-217
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  1. Bibliography
  2. pp. 218-225
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  1. Index
  2. pp. 226-236
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