In this Book

Shoot the Conductor
summary
Anshel Brusilow was born in 1928 and raised in Philadelphia by musical Russian Jewish parents in a neighborhood where practicing your instrument was as normal as hanging out the laundry. By the time he was sixteen he was appearing as soloist with the Philadelphia Orchestra. He also met Pierre Monteux at sixteen, when Monteux accepted him into his summer conducting school. Under George Szell, Brusilow was associate concertmaster at the Cleveland Orchestra until Ormandy snatched him away to make him concertmaster in Philadelphia, where he remained from 1959 to 1966. Ormandy and Brusilow had a father-son relationship, but Brusilow could not resist conducting, to Ormandy's great displeasure. By the time he was forty, Brusilow had sold his violin and formed his own chamber orchestra in Philadelphia with more than a hundred performances per year. For three years he was conductor of the Dallas Symphony, until he went on to shape the orchestral programs at Southern Methodist University and the University of North Texas. Brusilow played with or conducted many top-tier classical musicians, and he has opinions about each and every one. He also made many recordings. Co-written with Robin Underdahl, his memoir is a fascinating and unique view of American classical music during an important era, as well as an inspiring story of a working-class immigrant child making good in a tough arena.

Table of Contents

  1. Cover
  2. restricted access Download |
  1. Title Page, Copyright
  2. restricted access Download |
  1. Contents
  2. restricted access Download |
  1. Acknowledgments
  2. pp. vii-viii
  3. restricted access Download |
  1. Prologue
  2. pp. ix-x
  3. restricted access Download |
  1. 1. I Came by It Honestly
  2. pp. 1-12
  3. restricted access Download |
  1. 2. My Several Educations
  2. pp. 13-43
  3. restricted access Download |
  1. 3. I’ll Do As I Please
  2. pp. 44-70
  3. restricted access Download |
  1. 4. Szellian Perfection
  2. pp. 71-110
  3. restricted access Download |
  1. 5. This Is the Philadelphia Orchestra
  2. pp. 111-160
  3. restricted access Download |
  1. 6. The Bow and the Baton
  2. pp. 161-191
  3. restricted access Download |
  1. 7. This Isn’t the Philadelphia Orchestra
  2. pp. 192-218
  3. restricted access Download |
  1. 8. Into the Wild West
  2. pp. 219-262
  3. restricted access Download |
  1. 9. The Less Wild West
  2. pp. 263-279
  3. restricted access Download |
  1. 10. In Good Company
  2. pp. 280-286
  3. restricted access Download |
  1. Index
  2. pp. 287-300
  3. restricted access Download |
  1. Image Plates
  2. restricted access Download |
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.