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Michel Tournier, member of the Acadimie Goncourt and one of the most influential French writers of the post-Nouveau roman period, stresses the crucial interrelationship that exists between myth and literature. It is the writer's duty, he states, to keep myths alive by continually renewing and transforming them, re-releasing them in an ever changing social context. Written in French, this study considers the Tournier novel as the story of a voyage in a literal and figurative sense. Jonathan Krell uses the term "elementary" to characterize this voyage through the universe of Tournier's imagination, which is dominated by the four primordial element&--earth, water, air, and fire. Building on a foundation of Western culture's rudimentary myths, such as the ogre, twinship, and the Biblical stories of creation and the magi, Tournier performs a radical and disturbing transformation. Professor Krell shows how the transformation is made.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright, Dedication
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  1. Table des matieres
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  1. Avant-propos
  2. pp. ix-xii
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  1. Remerciements
  2. p. xiii
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  1. Chapitre un. Le Voyage élémentaire
  2. pp. 1-22
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  1. Chapitre deux. Le Commencement de la descente: Images du monde terrestre
  2. pp. 23-57
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  1. Chapitre trois. La Descente: Images du monde souterrain
  2. pp. 59-101
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  1. Chapitre quatre. Le Nadir: L'Eau et Ie feu néfastes
  2. p. 103
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  1. Chapitre ciog. Le Rachat: L'Eau et Ie feu bénéfiques
  2. pp. 144-163
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  1. Chapitre six. L'Ascension: L' Apothéose solaire et aérienne
  2. pp. 149-179
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  1. Chapitre sept. Les Clefs et les serrures: ou du mythe à l'histoire
  2. pp. 181-192
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  1. Notes
  2. pp. 193-206
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  1. Ouvrages consultes
  2. pp. 207-213
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  1. Index
  2. pp. 215-219
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