In this Book

summary
In his recent films — Unforgiven, Mystic River, and Million Dollar Baby — Clint Eastwood has revealed himself as a greater figure than moviegoers had imagined him to be. While he has been an exceptionally successful actor, creating iconic characters in two genres, Western and detective films, as a director, his recent films have reached a surprising power, depth, and maturity.

The contributors to this volume revisit and examine his career as an actor and director, and are part of a growing critical evaluation of Eastwood's films. A common thread, however, is their respect for his cinematic storytelling. They examine how he put his individual stamp on particular genres, while extending and enriching our understanding of his achievements.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright
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  1. Contents
  2. pp. vii-viii
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  1. Acknowledgments
  2. pp. ix-x
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  1. Introduction
  2. John Gourlie, Leonard Engel
  3. pp. 1-23
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  1. Chapter 1. Feminism and the Limits of Genre in em>Fistful of Dollars and The Outlaw Josey Wales ...
  2. Brett Westbrook
  3. pp. 24-48
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  1. Chapter 2. A Fistful of Anarchy: Clint Eastwood’s Characters in Sergio Leone’s Dollars Trilogy and in His Four “Own” Westerns
  2. David Cremean
  3. pp. 49-76
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  1. Chapter 3. Irony as Absolution
  2. Matt Wanat
  3. pp. 77-98
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  1. Chapter 4. “One Hang, We All Hang”: High Plains Drifter
  2. Richard Hutson
  3. pp. 99-118
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  1. Chapter 5. Mocking Success in Every Which Way but Loose
  2. Leger Grindon
  3. pp. 119-128
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  1. Chapter 6. Subverting Shane: Ambiguities in Eastwood’s Politics in Fistful of Dollars, High Plains Drifter, and Pale Rider
  2. Stephen McVeigh
  3. pp. 129-156
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  1. Chapter 7. “All on Accounta Pullin’ a Trigger”: Violence, the Media, and the Historical Contextualization of Clint Eastwood’s Unforgiven
  2. Brad Klypchak
  3. pp. 157-170
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  1. Chapter 8. The Machinery of Violence: Clint Eastwood Talks about Unforgiven
  2. John C. Tibbetts
  3. pp. 171-180
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  1. Chapter 9. Clint Eastwood’s Western Films and the Evolving Mythic Hero
  2. Fred Erisman
  3. pp. 181-194
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  1. Chapter 10. Narrative Pacing and the Eye of the Other in The Bridges of Madison County
  2. Raymond Foery
  3. pp. 195-203
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  1. Chapter 11. The Old Man and the C: Masculinity and Age in the Films of Clint Eastwood
  2. Walter Metz
  3. pp. 204-217
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  1. Chapter 12. Mystical Moral Miasma in Mystic River
  2. Dennis Rothermel
  3. pp. 218-241
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  1. Chapter 13. Million Dollar Baby: The Deep Heart’s Core
  2. John M. Gourlie
  3. pp. 242-250
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  1. Filmography
  2. pp. 251-254
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  1. Contributors
  2. pp. 255-258
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  1. Index
  2. pp. 259-269
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