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Gendered Lyric
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The Gendered Lyric argues that gender difference contributes to the definition of aesthetic values and, indeed, shaped the representation of masculine and feminine subjectivity in nineteenth-century French poetry. Gretchen Schultz analyzes works by the leaders of the Romantic, Parnassian, and Symbolist schools to show that their implicit conceptions of gender were central to the formulation of their aesthetics.

Table of Contents

  1. Cover
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  1. Title Page, Copyright, Dedication
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  1. Contents
  2. pp. vii-viii
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  1. Preface
  2. pp. ix-xii
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  1. Acknowledgments
  2. pp. xiii-xiv
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  1. Introduction
  2. pp. 1-18
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  1. Part 1 Romanticism's Genders
  2. p. 19
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  1. Chapter One Femininity and the Renewal of the Lyric
  2. pp. 21-42
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  1. Chapter Two "Women's Poetry": The Case of Marceline Desbordes-Valmore
  2. pp. 43-80
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  1. Part 2 Parnassian Impassivity and Frozen Femininity
  2. p. 81
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  1. Introduction
  2. pp. 83-86
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  1. Chapter Three Leconte de Lisle's Hardening Arteries
  2. pp. 87-110
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  1. Chapter Four Parnassian Obsessions
  2. pp. 111-139
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  1. Chapter Five Moving Statues: Les Parnassiennes
  2. pp. 140-168
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  1. Part 3 Symbolist Fluidity
  2. p. 169
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  1. Introduction
  2. pp. 171-177
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  1. Chapter Six Baudelaire's Frontiers
  2. pp. 178-207
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  1. Chapter Seven Loose Ends
  2. pp. 208-246
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  1. Conclusion: Poetry Matters
  2. pp. 247-250
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  1. Appendix
  2. pp. 251-280
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  1. Notes
  2. pp. 281-300
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  1. Bibliography
  2. pp. 301-320
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  1. Index
  2. pp. 321-334
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