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Actors know about "falling up": a split-second ignition from the wings, propelling entrance as a new character, an unwilled ascent to a different mode of being, an in-body experience that overlays preparation, opportunity, choice, or chance. Falling Up, the first and only full-length Floyd study, is a metaphor for humanity’s uncanny ability to rise from seeming disaster into rebirth. Floyd’s consistent succession of soars, stumbles, slides, or wrenches sings of triumph over odds.

A modern Renaissance man, Floyd is our greatest living opera composer and librettist, a trained concert pianist, a master stage director, and a teacher. In Falling Up, Holliday offers an intimate account of the life that shaped the words and music. Combining insights from hundreds of interviews with Floyd, his family, and many of the last half-century’s greatest singers, conductors, and opera administrators, Falling Up traces Floyd’s Southern roots and the struggles and sacrifices that accompanied his rise to operatic stardom.

With more than forty photographs, the detailed evolution of Floyd’s fourteen operas, and in-depth analysis of his nonoperatic works, Falling Up is essential reading for opera fans and professionals alike, a book that moves, informs, and entertains.

Table of Contents

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  1. Cover
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  1. Frontispiece, Title page, Copyright, Dedication,
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  1. Contents
  2. pp. ix-x
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  1. Illustrations
  2. pp. xi-xii
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  1. Foreword
  2. Plácido Domingo
  3. pp. xiii-xiv
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  1. Acknowledgments
  2. pp. xv-xviii
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  1. Introduction
  2. pp. xix-xxii
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  1. Abbreviations
  2. pp. xxiii-xiv
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  1. 1. The Cradle: Latta, 1926–1932
  2. pp. 1-13
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  1. 2. Where’s Daddy?: Spartanburg, McClellanville, Jordan, 1932–1936
  2. pp. 14-24
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  1. 3. Golden Days: Bethune, 1936–1939
  2. pp. 25-43
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  1. 4. Dark Adolescence: North, 1939–1943
  2. pp. 44-55
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  1. 5. Escape: Converse College, Spartanburg, 1943–1945
  2. pp. 56-71
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  1. 6. Swimming with Yankees: Syracuse University, New York, 1945–1946
  2. pp. 72-82
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  1. 7. Young Professor Floyd Writes an Opera: Florida State University, Syracuse Again, Slow Dusk, 1946–1949
  2. pp. 83-95
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  1. 8. Women, and Other Fugitives: Tallahassee, 1949–1953
  2. pp. 96-115
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  1. 9. “The Old Girl,” Susannah: Tallahassee, 1952–1955
  2. pp. 116-129
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  1. 10. The Short, Fast Fall to Fame: Susannah in New York, 1955–1956
  2. pp. 130-147
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  1. 11. The Climb to Wuthering Heights: New Forms, Marriage, 1956–1959
  2. pp. 148-174
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  1. 12. The Grand One: The Passion of Jonathan Wade, 1959–1962
  2. pp. 175-202
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  1. 13. At the Oars: Mollie Sinclair to Markheim, 1962–1966
  2. pp. 203-224
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  1. 14. Of Mice, Men, Martyrs, Flowers, Hawks: 1963–1972
  2. pp. 225-255
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  1. 15. Completed Circle: Houston and Bilby’s Doll, 1972–1976
  2. pp. 256-269
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  1. 16. Synthesizing Opera and Music Theater: Willie Stark, 1970–1981
  2. pp. 270-299
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  1. 17. Falling Down: 1981–1986
  2. pp. 300-320
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  1. 18. Standing Up: Resurrection and Jonathan Reborn, 1986–1991
  2. pp. 321-341
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  1. 19. Looking Back, Moving On Back: Houston and Tallahassee, 1991–1997
  2. pp. 342-362
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  1. 20. Unmatched Experience: Susannah at the Met, 1997–2000
  2. pp. 363-370
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  1. 21. Late Fruits: Cold Sassy Tree, 1994–2003
  2. pp. 371-395
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  1. 22. Twilight in Tallahassee: 2003–2012
  2. pp. 396-412
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  1. Appendix. Mysteries of South Carolina: The Genealogy of Carlisle Floyd
  2. pp. 413-426
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  1. Notes
  2. pp. 427-466
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  1. Selected Bibliography
  2. pp. 467-474
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  1. Index
  2. pp. 475-510
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