In this Book

summary
Illustrated with color and black-and-white images of the mountain and its associated religious practices, H. Byron Earhart's study utilizes his decades of fieldwork—including climbing Fuji with three pilgrimage groups—and his research into Japanese and Western sources to offer a comprehensive overview of the evolving imagery of Mount Fuji from ancient times to the present day. Included in the book is a link to his twenty-eight–minute streaming video documentary of Fuji pilgrimage and practice, Fuji: Sacred Mountain of Japan. Beginning with early reflections on the beauty and power associated with the mountain in medieval Japanese literature, Earhart examines how these qualities fostered spiritual practices such as Shugendo, which established rituals and a temple complex at the mountain as a portal to an ascetic otherworld. As a focus of worship, the mountain became a source of spiritual insight, rebirth, and prophecy through the practitioners Kakugyo and Jikigyo, whose teachings led to social movements such as Fujido (the way of Fuji) and to a variety of pilgrimage confraternities making images and replicas of the mountain for use in local rituals. Earhart shows how the seventeenth-century commodification of Mount Fuji inspired powerful interpretive renderings of the "peerless" mountain of Japan, such as those of the nineteenth-century print masters Hiroshige and Hokusai, which were largely responsible for creating the international reputation of Mount Fuji. In the eighteenth and nineteenth centuries, images of Fuji served as an expression of a unique and superior Japanese culture. With its distinctive shape firmly embedded in Japanese culture but its ethical, ritual, and spiritual associations made malleable over time, Mount Fuji came to symbolize ultranationalistic ambitions in the 1930s and early 1940s, peacetime democracy as early as 1946, and a host of artistic, naturalistic, and commercial causes, even the exotic and erotic, in the decades since.

Table of Contents

  1. Cover
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  1. Title Page, Copyright, Dedication
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  1. Contents
  2. pp. vii-x
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  1. List of Illustrations
  2. pp. xi-xii
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  1. Series Editor’s Preface
  2. pp. xiii-xiv
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  1. Acknowledgments
  2. pp. xv-xvi
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  1. Preface: Invitation to Fuji
  2. pp. xvii-xx
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  1. A Note on Japanese Names and Terms and on Citations
  2. pp. xxi-xxii
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  1. Part 1: The Power and Beauty of a Mountain
  2. pp. 1-2
  1. 1. The Power of the Volcano: Fire and Water
  2. pp. 3-7
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  1. 2. The Beauty of the Ideal Mountain: Early Poetry and Painting
  2. pp. 8-21
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  1. 3. Asceticism: Opening the Mountain
  2. pp. 22-32
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  1. Part 2: The Dynamics of a Cosmic Mountain
  2. pp. 33-34
  1. 4. The Mountain Becomes the World
  2. pp. 35-46
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  1. 5. Touchstone of Ethical Life
  2. pp. 47-55
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  1. 6. Cosmic Model and World Renewal
  2. pp. 56-70
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  1. 7. Pilgrimage Confraternities: People Come to the Mountain
  2. pp. 71-88
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  1. 8. Miniature Fuji: The Mountain Comes to the People
  2. pp. 89-96
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  1. Part 3: Fuji as Visual Ideal and Political Idea
  2. pp. 97-98
  1. 9. Woodblock Prints and Popular Arts
  2. pp. 99-108
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  1. 10. Western "Discovery" of Woodblock Prints
  2. pp. 109-117
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  1. 11. The Enduring Image of Fuji in Modern Times
  2. pp. 118-130
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  1. Part 4: Fuji Devotion in Contemporary Japan
  2. pp. 131-132
  1. 12. A Contemporary Fujikō
  2. pp. 133-142
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  1. 13. New Religions and Fuji
  2. pp. 143-157
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  1. 14. Surveying Contemporary Fuji Belief and Practice
  2. pp. 158-166
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  1. Part 5: Fuji the Flexible Symbol
  2. pp. 167-168
  1. 15. War and Peace
  2. pp. 169-182
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  1. 16. The Future of an Icon
  2. pp. 183-189
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  1. Epilogue: Descent from the Mountain
  2. pp. 190-194
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  1. Appendix: Sino-Japanese Characters
  2. pp. 195-196
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  1. Notes
  2. pp. 197-216
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  1. Bibliography
  2. pp. 217-234
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  1. Index
  2. pp. 235-238
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  1. About the Author
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  1. Image Plates
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Additional Information

ISBN
9781611171112
Related ISBN
9781611170009
MARC Record
OCLC
911034256
Pages
272
Launched on MUSE
2016-01-01
Language
English
Open Access
No
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