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This long-awaited volume presents the fifth and final category of Noh plays, often called kiri-nō, or “ending Noh,” because they are staged last in a formal performance. This group comprises fifty of the most active and exciting of all plays in the Noh repertoire. The shite include deities, ghosts, or living humans, as well as a plethora of supernatural beings such as tengu (strange long-nosed creatures), monstrous creatures, demons, and fiends. The fifth-group Noh with such shite are all supernatural or visional. None of them is totally realistic. These ghosts, deities, and monsters sometimes appear to attack men, sometimes to help them, and sometimes just to tell their stories. Dividing the plays into seven subgroups according to structure, the authors fully analyze their dramatic characteristics. The book includes line-by-line translations of eight Noh representing all of the subgroups, together with the Romanized original Japanese texts, detailed introductions, and running commentaries.

Table of Contents

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  1. Title page, Copyright page, Dedication
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  1. Contents
  2. pp. vii-viii
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  1. Prefaces & Acknowledgments, Notes on the Pronunciation of Noh Language, Plan of a Noh Stage
  2. pp. ix-xvi
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  1. Introduction to the Fifth-Group Noh
  2. pp. 1-46
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  1. The Plays: Kuzu
  2. pp. 47-82
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  1. The Plays: Matsuyama Tengu
  2. pp. 83-114
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  1. The Plays: Karuma Tengu
  2. pp. 115-160
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  1. The Plays: Shōkun
  2. pp. 161-196
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  1. The Plays: Kumasaka
  2. pp. 197-230
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  1. The Plays: Kuruma-Zō
  2. pp. 231-260
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  1. The Plays: Nue
  2. pp. 261-298
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  1. The Plays: Adachigahara
  2. pp. 299-336
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  1. Appendix 1: Fifth-Group Noh
  2. pp. 337-340
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  1. Appendix 2: List of Poems
  2. pp. 341-344
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  1. Glossary of Technical Terms
  2. pp. 345-370
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  1. Selected Bibliography
  2. pp. 371-376
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  1. Index
  2. pp. 377-390
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  1. Cornell East Asia Series
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