In this Book

  • Decolonial Voices: Chicana and Chicano Cultural Studies in the 21st Century
  • Book
  • Edited by Arturo J. Aldama and Naomi H. Quiñonez
  • 2002
  • Published by: Indiana University Press
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summary

The interdisciplinary essays in Decolonial Voices discuss racialized, subaltern, feminist, and diasporic identities and the aesthetic politics of hybrid and mestiza/o cultural productions. This collection represents several key directions in the field: First, it charts how subaltern cultural productions of the US/ Mexico borderlands speak to the intersections of "local," "hemispheric," and "globalized" power relations of the border imaginary. Second, it recovers the Mexican women's and Chicana literary and cultural heritages that have been ignored by Euro-American canons and patriarchal exclusionary practices. It also expands the field in postnationalist directions by creating an interethnic, comparative, and transnational dialogue between Chicana and Chicano, African American, Mexican feminist, and U.S. Native American cultural vocabularies.

Contributors include Norma Alarcón, Arturo J. Aldama, Frederick Luis Aldama, Cordelia Chávez Candelaria, Alejandra Elenes, Ramón Garcia, María Herrera-Sobek, Patricia Penn Hilden, Gaye T. M. Johnson, Alberto Ledesma, Pancho McFarland, Amelia María de la Luz Montes, Laura Elisa Pérez, Naomi Quiñonez, Sarah Ramirez, Rolando J. Romero, Delberto Dario Ruiz, Vicki Ruiz, José David Saldívar, Anna Sandoval, and Jonathan Xavier Inda.

Table of Contents

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  1. Cover
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  1. Contents
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  1. Foreword
  2. pp. vii-x
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  1. Acknowledgments
  2. p. xi
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  1. Introduction:
  2. pp. 1-7
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  1. Part I: Dangerous Bodies
  2. p. 9
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  1. 1. Millennial Anxieties: Borders, Violence, and the Struggle for Chicana and Chicano Subjectivity
  2. pp. 11-29
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  1. 2. Writing on the Social Body: Dresses and Body Ornamentation in Contemporary Chicana Art
  2. pp. 30-63
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  1. 3. New Iconographies: Film Culture in Chicano Cultural Production
  2. pp. 64-77
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  1. 4. Penalizing Chicano/a Bodies in Edward J. Olmos’s American Me
  2. pp. 78-97
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  1. 5. Biopower, Reproduction, and the Migrant Woman’s Body
  2. pp. 98-112
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  1. 6. Anzaldúa’s Frontera: Inscribing Gynetics
  2. pp. 113-126
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  1. Part II: Dismantling Colonial/Patriarchal Legacies
  2. p. 127
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  1. 7. Re(Riting) the Chicana Postcolonial: From Traitor to 21st Century Interpreter
  2. pp. 129-151
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  1. 8. How the Border Lies: Some Historical Reflections
  2. pp. 152-176
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  1. 9. “See How I Am Received”: Nationalism, Race, and Gender in Who Would Have Thought It?
  2. pp. 177-195
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  1. 10. Engendering Re/Solutions: The (Feminist) Legacy of Estela Portillo Trambley
  2. pp. 196-208
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  1. 11. Unir los Lazos: Braiding Chicana and Mexicana Subjectivities
  2. pp. 209-222
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  1. 12. Borders, Feminism, and Spirituality: Movements in Chicana Aesthetic Revisioning
  2. pp. 223-242
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  1. Part III: Mapping Space and Reclaiming Place
  2. p. 243
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  1. 13. Border/Transformative Pedagogies at the End of the Millennium: Chicana/o Cultural Studies and Education
  2. pp. 245-261
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  1. 14. On the Bad Edge of La Frontera
  2. pp. 262-296
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  1. 15. “Here Is Something You Can’t Understand . . . ”: Chicano Rap and the Critique of Globalization
  2. pp. 297-315
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  1. 16. A Sifting of Centuries: Afro-Chicano Interaction and Popular Musical Culture in California, 1960–2000
  2. pp. 316-329
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  1. 17. Narratives of Undocumented Mexican Immigration as Chicana/o Acts of Intellectual and Political Responsibility
  2. pp. 330-354
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  1. 18. Teki Lenguas del Yollotz
  2. pp. 355-365
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  1. 19. The Alamo, Slavery, and the Politics of Memory
  2. pp. 366-377
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  1. 20. Color Coded: Reflections at the Millennium
  2. pp. 378-387
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  1. Contributors
  2. pp. 389-392
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  1. Index
  2. pp. 393-413
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