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Although Balzac's work has been much studied, practically nothing has been written on his use of linguistic concepts. Applying a new approach, this perceptive book demonstrates that the theme and theory of language were central to Balzac's fiction. In considering how the novelist was influenced by eighteenth- and nineteenth-century speculation on language, Martin Kanes traces the development of Balzac's own linguistic ideas from his early to his later writings.

Originally published in 1976.

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Table of Contents

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  1. Cover
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  1. Title Page, Copyright
  2. pp. 2-5
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  1. Acknowledgments
  2. pp. 6-7
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  1. Contents
  2. pp. 8-9
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  1. List of Abbreviations
  2. pp. 10-13
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  1. Introduction
  2. pp. 14-23
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  1. Approaches and Theories
  1. Contemporary Theory and the Dissertationsur I'homme
  2. pp. 26-51
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  1. From the Dissertation to La Peaude chagrin
  2. pp. 52-75
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  1. La Peau de chagrin and the Problem of Creativity
  2. pp. 76-111
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  1. The Thought-Word Problem in the Comedie humaine
  2. pp. 112-137
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  1. Problems of Narration
  1. Language and Characterization in theComedie humaine
  2. pp. 140-177
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  1. The Narrator and his Words: The Word-Event
  2. pp. 178-199
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  1. The Narrator, The Reader, and the Abolition of the Veil
  2. pp. 200-227
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  1. Texts
  1. Illusions perdues and the Word Game
  2. pp. 230-271
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  1. Afterword
  2. pp. 272-275
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  1. APPENDIX
  2. pp. 276-285
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  1. Bibliography
  2. pp. 286-303
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  1. Index
  2. pp. 304-311
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