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Focusing on the earliest and most extensive collection of tropes we now possess, those associated with the abbey of Saint Martial de Limoges in the tenth and early eleventh centuries, Professor Evans offers new conclusions about the nature and early development of the trope.

Originally published in 1970.

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Table of Contents

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  1. Cover
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  1. Title Page, Copyright
  2. pp. i-vi
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  1. Preface
  2. pp. vii-viii
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  1. Contents
  2. pp. ix-xii
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  1. 1. The Meaning of Trope
  2. pp. 1-16
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  1. 2.The Historical Position of the Trope
  2. pp. 17-28
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  1. 3. The Tropers
  2. pp. 29-54
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  1. 4. The Texts of the Tropes
  2. pp. 55-72
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  1. 5. The Musical Structure of the Tropes
  2. pp. 73-118
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  1. Transcriptions
  1. Introduction
  2. pp. 121-126
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  1. Paper Tropes of Paris 1121
  2. pp. 127-252
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  1. Examples of Ordinary Tropes
  2. pp. 253-262
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  1. Examples of Prosulae
  2. pp. 263-270
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  1. The Tonarium of Paris 1121
  2. pp. 271-274
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  1. Index of Tropes
  2. pp. 275-284
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  1. Bibliography
  2. pp. 285-290
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  1. Index
  2. pp. 291-294
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