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James Olney demonstrates that autobiography, because it provides the most direct narrative enactments of the ways, motives, and beliefs of a culture, is an excellent way to approach African literature. After a general discussion of the African ethos, each chapter takes up the "autobiographical" literature of a specific group in African society and treats it as both an expression of a personal vision and as a revelation of a permeating social reality.

Originally published in 1974.

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Table of Contents

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  1. Cover
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  1. Title Page, Copyright, Dedication
  2. pp. 2-7
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  1. Preface
  2. pp. 8-11
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  1. Contents
  2. pp. 12-15
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  1. Introduction and Methodology
  2. pp. 16-38
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  1. 1. African Autobiography and theNon-African Reader
  2. pp. 39-91
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  1. 2. Children of Gikuyu and Mumbi
  2. pp. 92-136
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  1. 3. "Ces pays lointains"
  2. pp. 137-169
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  1. 4. Love, Sex, and Procreation
  2. pp. 170-216
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  1. 5. Pornography, Philosophy, andAfrican History
  2. pp. 217-260
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  1. 6. Politics, Creativity, and Exile
  2. pp. 261-295
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  1. Anti-Conclusion
  2. pp. 296-309
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  1. Bibliography
  2. pp. 310-331
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  1. Index
  2. pp. 332-338
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