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The highly influential Poetics Journal, whose ten issues were published between 1982 and 1998, contributed to the surge of interest in the practice of poetics. Edited by internationally recognized poet/critics Lyn Hejinian and Barrett Watten, the journal presents major conversations and debates, and invites readers to expand on the critical and creative engagements they represent. This archive re-presents virtually all the articles originally published in Poetics Journal, organized alphabetically by author and in searchable form. It features indexes by contributors, keywords, and volume.

The writing that appeared in Poetics Journal reflects the development of a range of creative and critical approaches in avant-garde poetry and art over two decades. In making this content newly available, the editors hope to preserve the generative enthusiasm for innovative writing and art it represents, while encouraging new uses and contexts.

A Guide to Poetics Journal is also available, see http://www.upne.com/0819571205.html for more information.

Table of Contents

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  1. Cover
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  1. Title page, Copyright
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  1. Contents
  2. pp. vii-xiv
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  1. How to Use This Archive
  2. pp. xv-xvi
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  1. Untitled
  1. Ugly
  2. Kathy Acker
  3. pp. 3-9
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  1. Seeking a Sentence
  2. Pierre Alferi
  3. pp. 10-18
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  1. The Eclipsing Function of Full Comprehension
  2. Michael Amnasan
  3. pp. 19-24
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  1. Joe Liar, Chapter 4
  2. Michael Amnasan
  3. pp. 25-37
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  1. Framing the Construals
  2. Mike Anderson
  3. pp. 38-45
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  1. Total Equals What: Poetics and Praxis
  2. Bruce Andrews
  3. pp. 46-61
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  1. Chains
  1. Mainstream Marginality
  2. Rae Armantrout
  3. pp. 64-67
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  1. On “Pythagorean Silence”
  2. Rae Armantrout
  3. pp. 68-70
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  1. The Person in My Work
  2. Rae Armantrout
  3. pp. 71-72
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  1. Silence
  2. Rae Armantrout
  3. pp. 73-77
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  1. A Note on John Smith and “Philadelphia Newspapers Read Crossways”
  1. Philadelphia Newspapers Read Crossways
  2. John Smith
  3. pp. 79-84
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  1. Kahlo’s Gaze
  2. Susan [Laufer] Bee
  3. pp. 85-90
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  1. Can’t We Just Call It Sex?: In Memory of David Wojnarowicz
  2. Dodie Bellamy
  3. pp. 91-96
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  1. Days Without Someone
  2. Dodie Bellamy
  3. pp. 97-106
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  1. Normal Deep Person
  2. Franco Beltrametti
  3. p. 107
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  1. Fear of Poetic (Social) Knowledge: Why Some People Don’t Like (Language) Poetry
  2. David Benedetti
  3. pp. 108-121
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  1. The Body of Writing: Notes on the Poetry of Glenda George
  2. Andrew Benjamin
  3. pp. 122-128
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  1. Close Reading: Leavings and Cleavings
  2. Steve Benson
  3. pp. 129-136
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  1. Mediations in an Emergency
  2. Steve Benson
  3. pp. 137-146
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  1. Personal as Social History: Three Fictions
  2. Steve Benson
  3. pp. 147-154
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  1. Dialogue: Museo de antropología, Mexico
  2. Steve Benson, Carla Harryman
  3. pp. 155-163
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  1. Stick
  2. Bill Berkson
  3. p. 164
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  1. The Simulacrum of Narrative
  2. Alan Bernheimer
  3. pp. 165-167
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  1. Professing Stein / Stein Professing
  2. Charles Bernstein
  3. pp. 168-175
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  1. Writing and Method
  2. Charles Bernstein
  3. pp. 176-188
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  1. “The Single Intelligence”: The Formation of Robert Creeley’s Epistemology
  2. Richard Blevins
  3. pp. 189-194
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  1. Kathy Acker’s “Great Expectations”
  2. Bruce Boone
  3. pp. 195-200
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  1. A Narrative Like a Punk Picture: Shocking Pinks, Lavenders, Magentas, Sickly Greens
  2. Bruce Boone
  3. pp. 201-205
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  1. Alternatives of Exposition
  2. David Bromige
  3. pp. 206-210
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  1. Philosophy and Poetry: A Note
  2. David Bromige
  3. pp. 211-216
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  1. Without Commas: Gertrude Stein and Mina Loy
  2. Carolyn Burke
  3. pp. 217-226
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  1. “But What Is an Adequate Vice to Limit the Liquid of This Voice”
  2. Bruce Campbell
  3. pp. 227-246
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  1. “Elsewhere”?: “Beyond” Artaud, “Beside” Barthes
  2. Bruce Campbell
  3. pp. 247-252
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  1. Untitled
  2. Cris Cheek
  3. pp. 253-257
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  1. The Fence of Character
  2. Maxine Chernoff
  3. pp. 258-260
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  1. The Exhibit and the Circulation
  2. Abigail Child
  3. pp. 261-270
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  1. Outside Topographies: Three Moments in Film
  2. Abigail Child
  3. pp. 271-274
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  1. Rewire / / Speak in Disagreement
  2. Abigail Child, Sally Silvers
  3. pp. 275-282
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  1. Harwood / Walker and Raworth
  2. William Corbett
  3. pp. 283-289
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  1. From “This Is Your Life”
  2. Margaret Crane, John Winet
  3. pp. 290-292
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  1. Forbidden Knowledge
  2. Beverly Dahlen
  3. pp. 293-310
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  1. In Re “Person”
  2. Beverly Dahlen
  3. pp. 311-313
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  1. From “The Tradition of Marginality”
  2. Beverly Dahlen
  3. pp. 314-316
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  1. Bureaucrat, my love.
  2. Daniel Davidson
  3. pp. 317-322
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  1. Framed by Story
  2. Michael Davidson
  3. pp. 323-327
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  1. “Hey Man, My Wave!”: The Authority of Private Language
  2. Michael Davidson
  3. pp. 328-341
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  1. Poetics of Everyday Life
  2. Michael Davidson
  3. pp. 342-345
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  1. Seven Poems
  2. Michael Davidson
  3. pp. 346-353
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  1. Close Reading Close Reading
  2. Alan Davies
  3. pp. 354-356
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  1. Language/Mind/Writing
  2. Alan Davies
  3. pp. 357-367
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  1. Motor Mouth
  2. Alan Davies
  3. pp. 368-369
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  1. Or How Shall We Yet Catch Each Unmindful Eye Awake
  2. Alan Davies
  3. pp. 370-373
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  1. Strong Language
  2. Alan Davies
  3. pp. 374-378
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  1. Coolidge’s “Mine”
  2. Lydia Davis
  3. pp. 379-385
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  1. Some Notes on Armantrout’s “Precedence”
  2. Lydia Davis
  3. pp. 386-390
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  1. Moving Object
  2. Jean Day
  3. pp. 391-395
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  1. Form and the Dialogic
  2. Ron Day
  3. pp. 396-402
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  1. What Is the Sex of the Poets?
  2. Françoise De Laroque
  3. pp. 403-412
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  1. North Of
  2. Jeff Derksen
  3. pp. 413-419
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  1. The Eroticism of Forgetting
  2. Arkadii Dragomoshchenko
  3. pp. 420-429
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  1. I(s)
  2. Arkadii Dragomoshchenko
  3. pp. 430-440
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  1. Syn / opsis / tax
  2. Arkadii Dragomoshchenko
  3. pp. 441-444
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  1. Close Reading: A Billboard
  2. Johanna Drucker
  3. pp. 445-448
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  1. Hypergraphy: A Note on Maurice Lemaître’s “Roman hypergraphique”
  2. Johanna Drucker
  3. pp. 449-457
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  1. Women and Language
  2. Johanna Drucker
  3. pp. 458-471
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  1. “New Poetry” and Perspectives for Philology
  2. Mikhail Dziubenko
  3. pp. 472-480
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  1. Cold Heaven: The Uses of Monumentality
  2. Jerry Estrin
  3. pp. 481-488
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  1. Penultimate Witness: The Work of Emmanuel Hocquard
  2. Jerry Estrin
  3. pp. 489-495
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  1. Gizzi’s “No Both”
  2. Steve Evans
  3. pp. 496-499
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  1. Reading Eye Lets
  2. Steven Farmer [Roberts]
  3. pp. 500-504
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  1. The Problem of the Self in Recent American Poetry
  2. Norman Finkelstein
  3. pp. 505-513
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  1. Corbett’s “Collected Poems” and Dahlen’s “A Reading”
  2. Norman Fischer
  3. pp. 514-519
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  1. Modernism, Postmodernism, and Values
  2. Norman Fischer
  3. pp. 520-522
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  1. The Old City
  2. Norman Fischer
  3. pp. 523-527
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  1. The Poetics of Lived Experience and the Concept of the Person
  2. Norman Fischer
  3. pp. 528-531
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  1. Poetics, Philosophy, and Difference
  2. Allen Fisher
  3. pp. 532-534
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  1. Postmodernism as Package
  2. Allen Fisher
  3. pp. 535-541
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  1. The Oath
  2. Connie Fitzsimons
  3. pp. 542-543
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  1. Overheard
  2. Kathleen Fraser
  3. pp. 544-552
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  1. The Museum Reaction Piece
  2. Howard Fried
  3. pp. 553-560
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  1. Laura Riding / Some Difficulties
  2. Benjamin Friedlander
  3. pp. 561-569
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  1. Lyrical Interference
  2. Benjamin Friedlander
  3. pp. 570-581
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  1. How “Space Stations” Gets Written
  2. Ed Friedman
  3. pp. 582-600
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  1. Helter Skelter
  2. Fred Frith
  3. pp. 601-604
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  1. From “Some Strokes”
  2. Kathleen Frumkin
  3. p. 605
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  1. Baucis and Philemon
  2. Robert Glück
  3. pp. 606-608
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  1. Fame
  2. Robert Glück
  3. pp. 609-613
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  1. His Heart Is a Lute Held Up: Poe and Bataille
  2. Robert Glück
  3. pp. 614-620
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  1. Truth’s Mirror Is No Mirror
  2. Robert Glück
  3. pp. 621-626
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  1. Georges Perec: Life Directions for Use
  2. Lanie Goodman
  3. pp. 627-632
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  1. Five Poems
  2. Michael Gottlieb
  3. pp. 633-636
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  1. Literate Tones: The Recent Poetry of John Wilkinson
  2. Paul Green
  3. pp. 637-642
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  1. Elsewhere
  2. Paul A. Green
  3. p. 643
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  1. Language, Consciousness, and Society
  2. Félix Guattari
  3. pp. 643-654
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  1. Text for the Russians
  2. Félix Guattari
  3. pp. 655-656
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  1. Shifting Persona
  2. Barbara Guest
  3. pp. 657-660
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  1. Forgotten Tyrant
  2. Doug Hall
  3. pp. 661-664
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  1. Toy Boats
  2. Carla Harryman
  3. pp. 665-667
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  1. What in Fact Was Originally Improvised
  2. Carla Harryman
  3. pp. 668-672
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  1. Interview with Carla Harryman
  2. Carla Harryman, Chris Tysh
  3. p. 673
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  1. Dialogue: Museo de antropología, Mexico
  2. Carla Harryman, Steve Benson
  3. p. 674
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  1. Althusser Metonymy China Wall
  2. George Hartley
  3. pp. 675-684
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  1. Jameson’s Perelman: Reification and the Material Signifier
  2. George Hartley
  3. pp. 685-697
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  1. An American Opener
  2. Lyn Hejinian
  3. pp. 698-703
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  1. La Faustienne
  2. Lyn Hejinian
  3. pp. 704-725
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  1. Hard Hearts
  2. Lyn Hejinian
  3. pp. 726-733
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  1. The Person and Description
  2. Lyn Hejinian
  3. pp. 734-738
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  1. The Rejection of Closure
  2. Lyn Hejinian
  3. pp. 739-749
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  1. Strangeness
  2. Lyn Hejinian
  3. pp. 750-764
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  1. From “The Cape of Good Hope”
  2. emmanuel hocquard
  3. pp. 765-767
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  1. Domination: Public and Private Language
  2. Paul Hoover
  3. pp. 768-773
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  1. Purgatory: All from Nothing
  2. Fanny Howe
  3. pp. 774-776
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  1. Silliman’s “Paradise”
  2. Fanny Howe
  3. pp. 777-778
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  1. My Emily Dickinson: Part One
  2. Susan Howe
  3. pp. 779-795
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  1. Robert Creeley and the Politics of the Person
  2. Susan Howe
  3. pp. 796-804
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  1. Beginning at “Bottom”
  2. Erica Hunt
  3. pp. 805-809
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  1. For a Biography of the Redeemed: 1974–1976
  2. Inagawa Masato
  3. pp. 810-812
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  1. Ideas of Order
  2. Edie Jarolim
  3. pp. 813-816
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  1. The Tormentor of Life
  2. Ilya Kutik
  3. pp. 817-828
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  1. Continuous Reframing
  2. George Lakoff
  3. pp. 830-835
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  1. The Public Aspect of the Language of Love
  2. George Lakoff
  3. pp. 835-843
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  1. Folklore and “Novoyaz”
  2. Yulia Latinina
  3. pp. 844-854
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  1. Limits of the Language of Desire
  2. david lloyd
  3. pp. 855-864
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  1. From “Intermusement”
  2. Pamela Lu
  3. pp. 865-867
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  1. Astrophysics and You
  2. Bill Luoma
  3. pp. 868-870
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  1. “Persia” / “Sixteen” / “Code Poems”
  2. Jackson Mac Low
  3. pp. 871-881
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  1. Pieces o’ Six—XII and XXIII
  2. Jackson Mac Low
  3. pp. 882-889
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  1. Sketch Toward a Close Reading of Three Poems from Bob Perelman’s “Primer”
  2. Jackson Mac Low
  3. pp. 890-892
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  1. Some Ways Philosophy Has Helped to Shape My Work
  2. Jackson Mac Low
  3. pp. 893-898
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  1. Codes/Texts: Reading “S/Z”
  2. Tom Mandel
  3. pp. 899-905
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  1. And Who Remembers Bobby Sands
  2. Steve McCaffery
  3. pp. 906-910
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  1. The.
  2. Steve McCaffery
  3. p. 911
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  1. From the Empty Quarter
  2. Duncan McNaughton
  3. pp. 912-914
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  1. Remaking Narrative
  2. William McPheron
  3. pp. 915-925
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  1. The Knowledge of Narratives
  2. Peter Middleton
  3. pp. 926-932
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  1. The Modern Lyric
  2. Laura Moriarty
  3. pp. 933-940
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  1. Sex and Language
  2. Laura Moriarty
  3. pp. 941-949
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  1. Miscegenated Texts and Media Cyborgs: Technologies of Body and Soul
  2. Harryette Mullen
  3. pp. 950-958
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  1. The Multicultural Aesthetic: Language, “Art,” and Politics in the United States Today
  2. Kofi Natambu
  3. pp. 959-969
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  1. Poetry and Experience
  2. Bernard Noël
  3. pp. 970-974
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  1. Narrative
  2. Alice Notley
  3. p. 975
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  1. From variously, not then
  2. Travis Ortiz
  3. pp. 976-978
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  1. Untitled
  2. Robin Palanker
  3. pp. 979-983
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  1. New Poetry
  2. Alexei Parshchikov
  3. pp. 984-990
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  1. The Force of Even Intervals: Toward a Reading of “Vernal Aspects”
  2. Ted Pearson
  3. pp. 991-993
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  1. “A Form of Assumptions”
  2. Ted Pearson
  3. pp. 994-1000
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  1. Some Remarks on Method
  2. Ted Pearson
  3. pp. 1001-1003
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  1. Things Made Known
  2. Ted Pearson
  3. pp. 1004-1014
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  1. Unit Structures
  2. Ted Pearson
  3. pp. 1015-1018
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  1. Exchangeable Frames
  2. Bob Perelman
  3. pp. 1019-1029
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  1. Good and Bad / Good and Evil: Pound, Céline, and Fascism
  2. Bob Perelman
  3. pp. 1030-1053
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  1. Plotless Prose
  2. Bob Perelman
  3. pp. 1054-1064
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  1. Three Case Histories: Ross’s “Failure of Modernism”
  2. Bob Perelman
  3. pp. 1065-1073
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  1. Irony
  2. Delphine Perret
  3. pp. 1074-1088
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  1. Violent Acts Within Public Discourse
  2. Claire Phillips
  3. pp. 1089-1090
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  1. Towards an Experiential Syntax
  2. Nick Piombino
  3. pp. 1091-1103
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  1. Language and Politics Today
  2. David Plotke
  3. pp. 1104-1119
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  1. The Failure of a Postmodern Aesthetic
  2. Harry Polkinhorn
  3. pp. 1120-1128
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  1. Aggressively Private: Contingency as Explanation
  2. Larry Price
  3. pp. 1129-1138
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  1. The Contingency Caper
  2. Larry Price
  3. pp. 1137-1154
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  1. Harryman’s Balzac
  2. Larry Price
  3. pp. 1155-1160
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  1. Conceptualism and the West
  2. Dmitrii Prigov
  3. pp. 1161-1165
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  1. Poetic Rests: Ashbery, Coolidge, Scalapino
  2. Herman Rapaport
  3. pp. 1166-1177
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  1. Of Persons as Persons
  2. John Rapko
  3. pp. 1178-1181
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  1. What Will Postmodernity Be?
  2. John Rapko
  3. pp. 1182-1184
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  1. On Rothenberg’s Revised “Technicians of the Sacred”
  2. Jed Rasula
  3. pp. 1185-1191
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  1. Rodefer’s “Lectures”
  2. Jed Rasula
  3. pp. 1192-1196
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  1. What Does This Do with You Reading?
  2. Jed Rasula
  3. pp. 1197-1999
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  1. How to Reading
  2. Stephen Ratcliffe
  3. pp. 1200-1205
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  1. Blue Notes on the Know Ledge
  2. Joan Retallack
  3. pp. 1206-1224
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  1. Bob Cobbing’s Blade
  2. Kit Robinson
  3. pp. 1225-1232
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  1. Hayward
  2. Kit Robinson
  3. pp. 1233-1236
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  1. Pleasanton and Embassy Suite
  2. Kit Robinson
  3. pp. 1237-1243
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  1. Raising “Collateral”
  2. Kit Robinson
  3. pp. 1244-1247
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  1. Time and Materials: The Workplace, Dreams, and Writing
  2. Kit Robinson
  3. pp. 1248-1264
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  1. Subtext in “Collateral”
  2. Nick Robinson
  3. pp. 1265-1272
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  1. Openings—The Connection Direct: Personal Notes on Poetics
  2. Jim Rosenberg
  3. pp. 1273-1281
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  1. The Death of Lady Day
  2. Andrew Ross
  3. pp. 1282-1291
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  1. The Oxygen of Publicity
  2. Andrew Ross
  3. pp. 1292-1303
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  1. Poems as Holograms
  2. Haj Ross
  3. pp. 1304-1314
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  1. Momma Was Washing the Window Frame
  2. Lev Rubinshtein
  3. pp. 1315-1317
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  1. Two Poems
  2. Lisa Samuels
  3. pp. 1318-1322
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  1. Aaron Shurin’s “Elsewhere”
  1. Pattern—and the ‘Simulacral’
  2. Leslie Scalapino
  3. pp. 1325-1335
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  1. Poetic Diaries
  2. Leslie Scalapino
  3. pp. 1336-1347
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  1. Re-Living
  2. Leslie Scalapino
  3. pp. 1348-1350
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  1. War / Poverty / Writing
  2. Leslie Scalapino
  3. pp. 1351-1360
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  1. What/Person: From an Exchange
  2. Leslie Scalapino, Ron Silliman
  3. pp. 1361-1380
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  1. Antin’s “Tuning”
  2. Andrew Schelling
  3. pp. 1381-1388
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  1. An Example from the Literature
  2. Peter Seaton
  3. pp. 1389-1394
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  1. From “Roxy”
  2. Gavin Selerie
  3. pp. 1395-1403
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  1. Language Acquisition as Poetics: Notes on New Educational Writing
  2. Lytle Shaw
  3. pp. 1404-1410
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  1. Dreyer’s “Step Work”
  2. James Sherry
  3. pp. 1411-1413
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  1. Plotless Literature: Vasily Rozanov
  2. Viktor Shklovsky
  3. pp. 1414-1436
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  1. As Known
  1. The Irruptive Text
  2. Aaron Shurin
  3. pp. 1438-1442
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  1. Orphée: The Kiss of Death
  2. Aaron Shurin
  3. pp. 1443-1445
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  1. Composition as Action
  2. Ron Silliman
  3. pp. 1446-1450
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  1. The Dysfunction of Criticism: Poets and the Critical Tradition of the Anti-Academy
  2. Ron Silliman
  3. pp. 1451-1468
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  1. Migratory Meaning: The Parsimony Principle in the Poem
  2. Ron Silliman
  3. pp. 1469-1487
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  1. “Postmodernism”: Sign for a Struggle, the Struggle for the Sign
  2. Ron Silliman
  3. pp. 1488-1514
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  1. Bernstein’s “Content’s Dream”
  2. Joseph Simas
  3. pp. 1515-1522
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  1. CIA Sentences
  2. Rod Smith
  3. pp. 1523-1531
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  1. Narrative Concerns
  2. Warren Sonbert
  3. pp. 1532-1535
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  1. Exile out of Silence into Cunning: Being Notes on Elsewhere and the Myths of Presence
  2. Nathaniel Tarn
  3. pp. 1536-1542
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  1. Télégrammes: Recent Quebécois Writing
  1. Fuzzyworld
  2. Denis Aubin
  3. p. 1543
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  1. Au Bord de L'Infini
  2. Claude Beausoleil
  3. pp. 1543-1544
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  1. Comme Nombre Au Loin
  2. Nicole Brossard
  3. pp. 1544-1545
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  1. Untitled
  2. Paul Chamberland
  3. p. 1545
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  1. Le Monde Comme Obstacle
  2. François Charron
  3. pp. 1546-1550
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  1. D'Immense Coloriages
  2. Michael Delisle
  3. pp. 1546-1547
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  1. Detachment
  2. Michel Gay
  3. p. 1547
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  1. Untitled
  2. Andre Gervais
  3. p. 1548
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  1. L'espace C’est La Vie
  2. Philippe Haeck
  3. pp. 1548-1549
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  1. L'echelle des êtres
  2. Renaud Longchamps
  3. p. 1549
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  1. Untitled
  2. France Mongeau
  3. p. 1550
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  1. The Surrealist on the Prowl
  2. André Roy
  3. p. 1551
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  1. Modernities
  2. Claude Beausoleil
  3. pp. 1552-1553
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  1. My Work Telling the Story of Narrative in It
  2. Fiona Templeton
  3. pp. 1554-1561
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  1. The Marks Are Waiting
  2. Lorenzo Thomas
  3. pp. 1562-1564
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  1. Early Morning Prompts for Evening Takes: Or, Roll ’em!
  2. Rodrigo Toscano
  3. pp. 1565-1567
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  1. Very Similitude
  2. Hung Q. Tu
  3. pp. 1568-1572
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  1. Dead Letters
  2. Chris Tysh
  3. pp. 1573-1576
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  1. Interview with Carla Harryman
  2. Chris Tysh
  3. pp. 1577-1589
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  1. Sound on Silence
  2. Andrew Voigt
  3. pp. 1590-1593
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  1. The Narration
  2. Diane Ward
  3. pp. 1594-1595
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  1. The Literature of Surface
  2. Barrett Watten
  3. pp. 1596-1599
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  1. Missing “X”: Formal Meaning in Crane and Eigner
  2. Barrett Watten
  3. pp. 1600-1617
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  1. On Explanation: Art and the Language of “Art-Language”
  2. Barrett Watten
  3. pp. 1618-1627
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  1. The Politics of Style
  2. Barrett Watten
  3. pp. 1628-1640
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  1. Robert Creeley and “The Person”
  2. Barrett Watten
  3. pp. 1641-1645
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  1. Social Space in “Direct Address”
  2. Barrett Watten
  3. pp. 1646-1655
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  1. What I See in “How I Became Hettie Jones”
  2. Barrett Watten
  3. pp. 1656-1684
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  1. The XYZ of Reading: Negativity (&)
  2. Barrett Watten
  3. pp. 1685-1687
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  1. Other Person
  2. Hannah Weiner
  3. p. 1688
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  1. Postmodernism and Music: The Reaches
  2. Jason Weiss
  3. pp. 1689-1696
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  1. Postmodern Means to Me That Modern Must Have Been a Very Important Movement
  2. Robin Winters
  3. p. 1698
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  1. Thinking You Know
  2. Reva Wolf
  3. pp. 1699-1713
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  1. The Maze System
  2. John Woodall
  3. pp. 1714-1716
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  1. Memory and Immorality in Musical Composition
  2. John Zorn
  3. pp. 1717-1721
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  1. Feminism and Formalism
  2. Ellen Zweig
  3. pp. 1722-1726
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  1. Poetics Journal Covers
  2. pp. 1727-1731
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  1. Acknowledgments and Permissions
  2. pp. 1733-1740
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  1. Contributor Index
  2. pp. 1741-1748
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  1. Volume Index
  2. pp. 1749-1759
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  1. Keyword Index
  2. pp. 1761-1768
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