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Irony’s Antics marks a major intervention into the underexplored role of the comic and its relationship to irony in German letters.
Combining theoretical breadth with close textual analysis, Erica Weitzman shows how irony, a key term for the German romantics, reemerged in the early twentieth century from a postromantic relegation to the nonsensical and the nihilistic in a way that both rethought romantic irony and dramatically extended its reach.
Through readings of works by Robert Walser, Franz Kafka, and Joseph Roth against the rich history of comic theory (particularly Hegel and Freud), Weitzman traces the development of a specifically comic irony in modern German-language literature and philosophy, a play with the irony that is itself the condition for all play. She thus provides a crucial reevaluation of German literary history and offers new insights into the significance of irony and the comic from the Enlightenment to the present day.

Table of Contents

  1. Cover
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  1. Title Page, Copyright
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  1. Contents
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  1. Acknowledgments
  2. pp. vii-viii
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  1. Abbreviations
  2. pp. ix-xi
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  1. Introduction: The Comic Ethos
  2. pp. 3-20
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  1. 1. Senses of Humor: The Origins of Comic Irony
  2. pp. 21-56
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  1. 2. The Playgrounds of Literature: Robert Walser
  2. pp. 57-96
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  1. 3. Slap Happy: Comic Kafka
  2. pp. 97-144
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  1. 4. Bearing Wit to History: Joseph Roth
  2. pp. 145-184
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  1. Conclusion: Last Laughs
  2. pp. 185-188
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  1. Notes
  2. pp. 189-228
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  1. Works Cited
  2. pp. 229-246
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  1. Index
  2. pp. 247-257
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Additional Information

ISBN
9780810167711
Related ISBN
9780810129832
MARC Record
OCLC
903861159
Pages
269
Launched on MUSE
2015-02-21
Language
English
Open Access
No
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