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The Imperative of Reliability examines the development of nineteenth-century Russian prose and the remarkably swift emergence of the Russian novel. Victoria Somoff identifies an unprecedented situation in the production and perception of the utterance that came to define nascent novelistic fictionality both in European and Russian prose, where the utterance itself—whether an oral story or a “found” manuscript—became the object of representation within the compositional format of the frame narrative. This circumstance generated a narrative perspective from which both the events and their representation appeared as concomitant in time and space: the events did not precede their narration but rather occurred and developed along with and within the narration itself. Somoff establishes this story-discourse convergence as a major factor in enabling the transition from shorter forms of Russian prose to the full-fledged realist novel.

 

Table of Contents

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  1. Cover
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  1. Title Page, Copyright Page
  2. pp. i-vi
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  1. Contents
  2. pp. vii-viii
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  1. Acknowledgments
  2. pp. ix-2
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  1. Introduction. The Novel in Prose
  2. pp. 3-20
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  1. Chapter One. Framing the Truth: Discourse as the Object of Discourse in the 1820s–30s
  2. pp. 21-41
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  1. Chapter Two. In Search of Lost Voice: The Tale Collector in the Prose Cycle
  2. pp. 42-61
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  1. Chapter Three. The Limits of Optic Power in the Society Tale
  2. pp. 62-87
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  1. Chapter Four. Types, Doubles, and the Fantastical Sources of Narrative Realism
  2. pp. 88-110
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  1. Chapter Five. No Need for Dogs or Women: Transparent Minds in Turgenev
  2. pp. 111-138
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  1. Chapter Six. Waking Up to the Novel: The Dream Origin of Goncharov’s Oblomov
  2. pp. 139-158
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  1. Afterword and Afterward. Tolstoy’s After the Ball
  2. pp. 159-172
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  1. Notes
  2. pp. 173-216
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  1. Works Cited
  2. pp. 217-232
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  1. Index
  2. pp. 233-238
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