In this Book

summary

With graceful lines swooping like a bird in flight, Claudia Emerson's newest collection explores the harsh realities of aging and the limitations of the human body, as well as the loneliness, fear, and anger that can accompany us as we live.

Keenly observed and beautifully executed, these poems move from the grim façade that hides beauty-prosthetic eyes- to the beautiful scene that conceals violence-a rural retreat. Emerson also considers once common things that are fast becoming obsolete: cursive writing, telephone booths, barbers.

At once hopeful and cognizant of all the reasons why humans might despair, these poems echo with remarkable insight into the true nature of life.

Table of Contents

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  1. Cover
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  1. Title page, Copyright, Dedication
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  1. Contents
  2. pp. ix-x
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  1. One
  1. Ephemeris
  2. pp. 3-4
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  1. Greengrocer
  2. p. 5
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  1. House Sparrows
  2. p. 6
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  1. Clearcut
  2. p. 7
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  1. Lightning
  2. p. 8
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  1. Scarecrow at the Forks of Buffalo
  2. p. 9
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  1. Torch
  2. p. 10
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  1. Charting the Particulars
  2. p. 11
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  1. Love Bird
  2. p. 12
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  1. Darling
  2. p. 13
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  1. Linguist
  2. p. 14
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  1. Third
  2. p. 15
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  1. Induction
  2. p. 16
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  1. Entrance
  2. pp. 17-18
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  1. Two: Early Elegies
  1. Headmistress
  2. p. 21
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  1. Telephone Booth
  2. p. 22
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  1. Cursive
  2. p. 23
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  1. Barber
  2. p. 24
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  1. Operator
  2. p. 25
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  1. Drive-In Movie Theater
  2. p. 26
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  1. Wisdom Teeth
  2. p. 27
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  1. Smallpox
  2. p. 28
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  1. Three
  1. Lock
  2. pp. 31-32
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  1. The Opposite House
  2. pp. 33-35
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  1. Rural Letter Carrier
  2. pp. 36-37
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  1. Common House Sparrows at JFK’s International Terminal
  2. p. 38
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  1. Practice Blood
  2. p. 39
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  1. Dr. Crawford Long, Discoverer of the First Surgical Anesthetic, and the Case of Isam Bailey
  2. pp. 40-41
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  1. Virginia Christian
  2. pp. 42-45
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  1. Apologue
  2. pp. 46-47
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  1. Limb Factory
  2. pp. 48-49
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  1. Irene Virga Salafia
  2. pp. 50-52
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  1. The Ocularist
  2. pp. 53-56
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  1. A Frontispiece
  2. pp. 57-58
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  1. Acknowledgments
  2. pp. 59-60
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  1. Notes
  2. p. 61
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