In this Book

summary

Today's music, painting, and film share with literature in the development of a new aesthetic, even as these other arts influence (and are influenced by) literary themes and structures. And at the same time the music and art of the past continue to re-echo in twentieth-century letters.

The thirteen essays gathered here open a fine and varied view of the ways in which contemporary literature interacts with the other arts. Surrealism in French painting and literature, collage theory and the cutups of William Burroughs, texts of Butor as shaped by works of Duchamp—this volume offers a rich harvest of perceptive studies on these and other aspects of a fascinating topic.

Table of Contents

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  1. Cover
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  1. Contents
  2. p. 1
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  1. Copyright
  2. p. 2
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  1. Le statut de l'image dans l'écriture et la peinture surréaliste
  2. Martine Antle
  3. pp. 3-10
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  1. George Perec's Un Cabinet d'amateur: Portrait of the Artist as Iconoclast
  2. Paul J. Schwartz
  3. pp. 11-17
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  1. Myths in Butor's Passage de Milan: Works of Mondrian and Duchamp as Generators of the Text
  2. Claude-Marie Baldwin
  3. pp. 18-23
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  1. Duchamp's Early Readymades: The Erasure of Boundaries between Literature and the Other Arts
  2. Carol P. James
  3. pp. 24-32
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  1. The caméra-stylo of Marguerite Duras: The Translation of a Literary Aesthetic into Film
  2. Janice Morgan
  3. pp. 33-40
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  1. Contrastive Characterization in Verga's I Malavoglia and Visconti's La Terra trema
  2. Emmanuel Hatzantonis
  3. pp. 41-49
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  1. Political Satire through Popular Music and a Popular Vision of Reality: La Linares, a New Novel from Ecuador
  2. C. Michael Waag
  3. pp. 50-57
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  1. A Portrait of the Writer as Artist: Silvina Ocampo
  2. Patricia N. Klingenberg
  3. pp. 58-64
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  1. To Have a Voice: The Politics of the Diva
  2. Susan J. Leonardi
  3. pp. 65-72
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  1. Simulation, Gender, and Postmodernism: Sam Shepard and Paris, Texas
  2. Stephen Watt
  3. pp. 73-82
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  1. The Architecture of Umberto Eco's The Name of the Rose
  2. D. B. Jewison
  3. pp. 83-90
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  1. Collage Theory, Reception, and the Cutups of William Burroughs
  2. Laszlo K. Gefin
  3. pp. 91-100
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  1. Eine Kleine Wortmusik: The Marriage of Poetry and Music in the Pisan Cantos
  2. Margaret M. Dunn
  3. pp. 101-109
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  1. Back Cover
  2. pp. 110-112
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