In this Book

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In Planet Beethoven, Mina Yang makes the compelling case that classical music in the twenty-first century is just as vibrant and relevant as ever—but with significant changes that give us insight into the major cultural shifts of our day. Perusing events, projects, programs, writings, musicians, and compositions, Yang shines a spotlight on the Western art music tradition. The book covers an array of topics, from the use of Beethoven’s “Für Elise” in YouTube clips and hip-hop, to the marketing claims of Baby Einstein products, and the new forms of music education introduced by Gustavo Dudamel, conductor of the Los Angeles Philharmonic. While the book is global in its outlook, each chapter investigates the unique attributes of a specific performer, performance, or event. One chapter reflects on Chinese pianist Yuja Wang’s controversial performance at the Hollywood Bowl, another explores the highly symbolic Passion 2000 Project in Stuttgart, Germany. Sure to be of interest to students, professionals, and aficionados, Planet Beethoven traces the tensions that arise from the “classical” nature of this tradition and our rapidly changing world.

Ebook Edition Note: One image has been redacted.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright Page
  2. pp. i-vi
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  1. Contents
  2. pp. vii-x
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  1. Prelude
  2. pp. 1-10
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  1. 1. “Für Elise” Circa 2000
  2. pp. 11-28
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  1. Interlude One: Baby Einstein and Classical Music for Little People
  2. pp. 29-38
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  1. 2. From Hagiography to Pathography
  2. pp. 39-57
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  1. Interlude Two: Glenn Gould, the Last of the Musical Geniuses
  2. pp. 58-65
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  1. 3. East Meets West in the Concert Hall
  2. pp. 66-89
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  1. 4. Millennial Passions
  2. pp. 90-109
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  1. Interlude Three: The Little Orange Dress
  2. pp. 110-117
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  1. 5. Moulin Rouge! and the Undoing of Opera
  2. pp. 118-136
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  1. Interlude Four: The Digital Concert Hall
  2. pp. 137-144
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  1. 6. El Sistema L.A.
  2. pp. 145-165
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  1. Postlude
  2. pp. 166-168
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  1. Appendix 1: Filmography
  2. p. 169
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  1. Appendix 2: Discography
  2. p. 170
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  1. Notes
  2. pp. 171-204
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  1. Bibliography
  2. pp. 205-218
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  1. Index
  2. pp. 219-228
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