In this Book

  • From Mouse to Mermaid: The Politics of Film, Gender, and Culture
  • Book
  • Edited by Elizabeth Bell, Lynda Haas, and Laura Sells
  • 1995
  • Published by: Indiana University Press
summary

From Mouse to Mermaid, an interdisciplinary collection of original essays, is the first comprehensive, critical treatment of Disney cinema. Addressing children's classics as well as the Disney affiliates' more recent attempts to capture adult audiences, the contributors respond to the Disney film legacy from feminist, marxist, poststructuralist, and cultural studies perspectives. The volume contemplates Disney's duality as an American icon and as an industry of cultural production, created in and through fifty years of filmmaking. The contributors treat a range of topics at issue in contemporary cultural studies: the performance of gender, race, and class; the engendered images of science, nature, technology, family, and business. The compilation of voices in From Mouse to Mermaid creates a persuasive cultural critique of Disney's ideology.

The contributors are Bryan Attebery, Elizabeth Bell, Claudia Card, Chris Cuomo, Ramona Fernandez, Henry A. Giroux, Robert Haas, Lynda Haas, Susan Jeffords, N. Soyini Madison, Susan Miller, Patrick Murphy, David Payne, Greg Rode, Laura Sells, and Jack Zipes.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright, Dedication
  2. pp. i-vi
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  1. Contents
  2. pp. vii-x
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  1. Acknowledgments
  2. pp. xi-xiv
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  1. Introduction Walt's in the Movies
  2. pp. 1-18
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  1. I. Sanitizations/Disney Film as Cultural Pedagogy
  1. One: Breaking the Disney Spell
  2. pp. 21-42
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  1. Two: Memory and Pedagogy in the "Wonderful World of Disney" – Beyond the Politics of Innocence
  2. pp. 43-61
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  1. Three: Pinocchio
  2. pp. 62-71
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  1. Four: Disney Does Dutch – Billy Bathgate and the Disneyfication of the Gangster Genre
  2. pp. 72-85
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  1. Five: The Movie You See, The Movie You Don't – How Disney Do's That Old Time Derision
  2. pp. 86-104
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  1. II. Contestations/Disney Film as Gender Construction
  1. Six: Somatexts at the Disney Shop – Constructing the Pentimentos of Women's Animated Bodies
  2. pp. 107-124
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  1. Seven: "The Whole Wide World Was Scrubbed Clean" – The Androcentric Animation of Denatured Disney
  2. pp. 125-136
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  1. Eight: Bambi
  2. pp. 137-147
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  1. Nine: Beyond Captain Nemo – Disney's Science Fiction
  2. pp. 148-160
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  1. Ten: The Curse of Masculinity – Disney's Beauty and the Beast
  2. pp. 161-172
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  1. III. Erasures/Disney Film as Identity Politics
  1. Eleven: "Where Do the Mermaids Stand?" – Voice and Body in The Little Mermaid
  2. pp. 175-192
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  1. Twelve: "Eighty-Six the Mother" – Murder, Matricide, and Good Mothers
  2. pp. 193-211
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  1. Thirteen: Spinsters in Sensible Shoes – Mary Poppins and Bedknobs and Broomsticks
  2. pp. 212-223
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  1. Fourteen: Pretty Woman through the Triple Lens of Black Feminist Spectatorship
  2. pp. 224-235
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  1. Fifteen: Pachuco Mickey
  2. pp. 236-254
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  1. Contributors
  2. pp. 255-258
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  1. Index
  2. pp. 259-264
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