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In the final stages of his career, Roland Barthes abandoned his long-standing suspicion of photographic representation to write Camera Lucida, at once an elegy to his dead mother and a treatise on photography. In Writing the Image After Roland Barthes, Jean-Michel Rabaté and nineteen contributors examine the import of Barthes's shifting positions on photography and visual representation and the impact of his work on current developments in cultural studies and theories of the media and popular culture.

Table of Contents

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  1. Cover
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  1. Title
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  1. Copyright
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  1. Contents
  2. pp. v-vi
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  1. List of Abbreviations
  2. pp. vii-viii
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  1. Introduction
  2. pp. 1-16
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  1. I. Reflections on Photography
  1. 1. Barthes's Discretion
  2. pp. 19-31
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  1. 2. "What has occurred only once": Barthes's Winter Garden/Boltanski's Archives of the Dead
  2. pp. 32-58
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  1. 3. The Filter of Culture and the Culture of Death: How Barthes and Boltanski Play the Mythologies of the Photograph
  2. pp. 59-70
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  1. 4. Barthes and Bazin: The Ontology of the Image
  2. pp. 71-76
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  1. 5. Roland Barthes's Obtuse, Sharp Meaning and the Responsibilities of Commentary
  2. pp. 77-89
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  1. 6. Photographeme: Mythologizing in Camera Lucida
  2. pp. 90-98
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  1. 7. Narrative Liaisons: Roland Barthes and the Dangers of the Photo-Essay
  2. pp. 99-108
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  1. 8. Circulating Images: Notes on the Photographic Exchange
  2. pp. 109-131
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  1. 9. Roland Barthes, or The Woman Without a Shadow
  2. pp. 132-143
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  1. 10. The Descent of Orpheus: On Reading Barthes and Proust
  2. pp. 144-160
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  1. II. Seeing Language, Seeing Culture
  1. 11. The Imaginary Museum of Jules Michelet
  2. pp. 163-173
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  1. 12. Barthes with Marx
  2. pp. 174-186
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  1. 13. Beyond Metalanguage: Bathmology
  2. pp. 187-195
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  1. 14. Who Is the Real One?
  2. pp. 196-200
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  1. 15. The Art of Being Sparse, Porous, Scattered
  2. pp. 201-216
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  1. 16. Genetic Criticism in the Wake of Barthes
  2. pp. 217-227
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  1. 17. Roland Barthes Abroad
  2. pp. 228-242
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  1. 18. Un-Scriptible
  2. pp. 243-258
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  1. Conclusion: A False Account of Talking with Frank O'Hara and Roland Barthes in Philadelphia
  2. pp. 259-268
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  1. Bibliography
  2. pp. 269-276
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  1. List of Contributors
  2. pp. 277-280
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  1. Index
  2. pp. 281-285
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