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Sergei Eisenstein's greatness lies not only in his films, such as Potemkin or Ivan the Terrible, or his contributions to the technique and art of the cinema but also in his contributions as a theoretician and philosopher of the art. This edition includes a new translation of Eisenstein's essay on Orozco.

Originally published in 1982.

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Table of Contents

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  1. Cover
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  1. Title page, Frontispiece, Copyright
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  1. Contents
  2. pp. v-vi
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  1. Preface
  2. pp. 1-6
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  1. Foreword
  2. pp. 7-12
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  1. A Personal Statement
  2. pp. 13-17
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  1. The Method of Making Workers' Films
  2. pp. 17-20
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  1. Soviet Cinema
  2. pp. 20-32
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  1. The New Language of Cinema
  2. pp. 32-35
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  1. Perspectives
  2. pp. 35-48
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  1. The Dynamic Square
  2. pp. 48-66
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  1. GTK—GIK—VGIK Past—Present—Future
  2. pp. 66-77
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  1. Lessons from Literature
  2. pp. 77-84
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  1. The Embodiment of a Myth
  2. pp. 84-91
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  1. More Thoughts on Structure
  2. pp. 92-108
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  1. Charlie the Kid
  2. pp. 108-139
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  1. Mr Lincoln by Mr Ford
  2. pp. 139-149
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  1. A Close-Up View
  2. pp. 150-155
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  1. Problems of Composition
  2. pp. 155-183
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  1. Sources and Notes
  2. pp. 184-187
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  1. Appendix A: The Published Writings (1922-1982) of Sergei
  2. pp. 188-221
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  1. Appendix B
  2. pp. 222-232
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  1. Index
  2. pp. 233-236
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  1. Photographs
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