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Instead of seeing Terence primarily as an adapter of Greek New Comedy, Sander Goldberg treats him as an innovative dramatist writing for a specifically Roman audience. His book will interest not only students of classical literature but also those concerned with wider problems of critical theory and the comic tradition.

Originally published in 1986.

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Table of Contents

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  1. Cover
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  1. Title Page, Copyright
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  1. Contents
  2. p. vii
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  1. ABBREVIATIONS
  2. pp. ix-x
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  1. PREFACE
  2. p. xi
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  1. 1 THE CONTEXT
  2. pp. 3-30
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  1. 2 THE PROLOGUES
  2. pp. 31-60
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  1. 3 THE WELL-MADE PLAY
  2. pp. 61-90
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  1. 4 Contaminatio
  2. pp. 91-122
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  1. 5 THE duplex comoedia
  2. pp. 123-148
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  1. 6 THE PRICE OF SIMPLICITY
  2. pp. 149-169
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  1. 7 THE purus sermo
  2. pp. 170-202
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  1. 8 THE DEATH OF COMEDY
  2. pp. 203-220
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  1. Selective Bibliography
  2. pp. 221-226
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  1. Index
  2. pp. 227-232
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