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In a systematic overview of classical and modern contributions to aesthetics, Professor Sparshott argues that all four lines of theory, and no others, are necessary to coherent thinking about art.

Originally published in 1982.

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Table of Contents

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  1. Cover
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  1. Title Page, Copyright, Dedication
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  1. Preface
  2. pp. vii-x
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  1. Contents
  2. pp. xi-xiii
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  1. List of Abbreviations
  2. p. xiv
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  1. I. Introduction
  2. pp. 3-22
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  1. PART I
  1. II. The Classical Line 1: Arts
  2. pp. 25-57
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  1. III. The Classical Line 2: Arts of Disengaged Communication
  2. pp. 58-101
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  1. IV. The Classical Line 3: Arts of Beauty
  2. pp. 102-136
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  1. V. The Classical Line 4: Arts of Imagination
  2. pp. 137-144
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  1. VI. The Classical Line 5: What Works of Art Are
  2. pp. 145-191
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  1. VII. The Classical Line 6: What Works of Art are Like
  2. pp. 192-233
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  1. VIII. The Classical Line 7: The Critical Function
  2. pp. 234-271
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  1. IX. The Classical Line 8: The Artist
  2. pp. 272-280
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  1. PART II
  1. X. The Idea of Art
  2. pp. 283-302
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  1. XI. The Expressive Line 1: Art as Expression
  2. pp. 303-345
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  1. XII. The Expressive Line 2: Arts, Works, Artists
  2. pp. 346-370
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  1. XIII. The Mystic Line
  2. pp. 371-413
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  1. XIV. The Purist Line
  2. pp. 414-455
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  1. Conclusion
  2. pp. 456-464
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  1. Appendices
  2. pp. 465-502
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  1. Notes
  2. pp. 503-684
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  1. Bibliographic Key to Works Cited
  2. pp. 685-712
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  1. Index
  2. pp. 713-726
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