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This work examines the dialectic of desire and value, as it affects the protagonist's identity, in fiction from Dickens and George Eliot through Hardy and Conrad to Lawrence and Joyce. Philip Weinstein describes the growing sexualization of the imagined body--the transformation of the protagonistic self from a figure defined by semantics, signification, and cultural value to one characterized by desire, force, and natural impulse.

Originally published in 1984.

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Table of Contents

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  1. Cover
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  1. Title page, Copyright, Dedication
  2. pp. i-v
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  1. Preface
  2. pp. vii-viii
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  1. Acknowledgments
  2. pp. ix-x
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  1. A Note on Bibliographical Procedures and Primary Texts
  2. p. xi
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  1. Contents
  2. pp. xiii-xiv
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  1. Introduction
  2. pp. 3-16
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  1. Part 1. Mid-Victorian: Constraints and Masquerades
  2. pp. 17-20
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  1. 1. The Nocturnal Dickens
  2. pp. 21-72
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  1. 2. George Eliot and the Idolatries of the Superego
  2. pp. 73-103
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  1. Part 2. Late-Victorian: Tragic Encounters
  2. pp. 105-107
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  1. 3. Hardy: "Full-Hearted Evensong"
  2. pp. 108-145
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  1. 4. Conrad: Against Nature
  2. pp. 146-184
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  1. Part 3. Modernist: Beginning the Revaluation
  2. pp. 185-188
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  1. 5. "Become Who You Are": The Optative World of D. H. Lawrence
  2. pp. 189-251
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  1. 6. New Heaven, New Earth: Joyce and the Art of Reprojection
  2. pp. 252-287
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  1. Afterword
  2. pp. 288-291
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  1. List of Works Cited
  2. pp. 293-303
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  1. Index
  2. pp. 305-310
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