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In this study Karen Lawrence presents Joyce's Ulysses as it evolves through radical changes of style. She traces the abandonment of a narrative norm for a series of rhetorical masks, regarded as conscious aesthetic experiments, and considers the theoretical implication of this process, for both the writing and reading of novels.

Originally published in 1982.

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Table of Contents

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  1. Cover
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  1. Title Page, Copyright, Dedication
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  1. Contents
  2. pp. vii-viii
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  1. Acknowledgments
  2. pp. ix-xii
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  1. Introduction
  2. pp. 3-15
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  1. I. Dublin Voices
  2. pp. 16-37
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  1. II. The Narrative Norm
  2. pp. 38-54
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  1. III. "Aeolus": Interruptionand Inventory
  2. pp. 55-79
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  1. IV. "Wandering Rocks" and "Sirens": The Breakdown of Narrative
  2. pp. 80-100
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  1. V. "Cyclops," "Nausicaa," and "Oxen of the Sun": Borrowed Styles
  2. pp. 101-145
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  1. VI. "Circe": The Rhetoric of Drama
  2. pp. 146-164
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  1. VII. "Eumaeus": The Way of All Language
  2. pp. 165-179
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  1. VIII. "Ithaca": The Order of Things
  2. pp. 180-202
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  1. IX. "Penelope": A Coda
  2. pp. 203-210
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  1. Bibliography
  2. pp. 211-224
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  1. Index
  2. pp. 225-229
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