Cover

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Title page, Copyright, Quotes

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Contents

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Acknowledgments

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pp. viii-4

The Treatise of Swans

Self-Portrait as the Soul Excluded, My Speechless

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p. 6

Self-Portrait as One-Night Stand

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p. 7

Self-Portrait When We Were New Animals Across an Ancient Sky

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p. 8

Self-Portrait as the Hinge Within the Fable

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p. 9

Self-Portrait as Your Voice, Trying to Stop an Echo

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p. 10

Self-Portrait as the Polaroid of You

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p. 11

Self-Portrait as the Record Player’s Needle

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p. 12

Self-Portrait as Letter Addressed to Self

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p. 13

Self-Portrait Where We Sing of Such Wounded Swans

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p. 14

Self-Portrait as a Grim Tale

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p. 15

In the Garden of the Bridehouse

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p. 16

Self-Portrait When We Were Animals Called Ocean, Called Honky, Called Baby

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pp. 17-22

Micrographia

/jénisis/

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p. 24

The Gospel of Ometéotl, the Brown Adam

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pp. 25-26

In the Garden of the Bridehouse

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p. 27

The Chrestomathies of Omecíhuatl, Giver of Life

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pp. 28-29

/iːv/

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p. 30

Omecíhuatl in the Garden Where Yes Is the Only Island

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pp. 31-32

The Chrestomathies of Omecíhuatl, Giver of Life

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pp. 33-34

/ˈædəm/

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p. 35

In Dominion, the Breath’s Hammer

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pp. 36-38

The Chrestomathies of Omecíhuatl, Giver of Life

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pp. 39-40

Where Timid Gestures Black

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pp. 41-42

The Chrestomathies of Omecíhuatl, Giver of Life

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pp. 43-45

In the Garden of the Bridehouse

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p. 46

The Child’s Dream of Asters

The Child’s Dream of Asters & the Water’s Elegy

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pp. 48-62

In the Garden of the Bridehouse

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p. 63

The Bridehouse’s Harmonograph

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pp. 64-66

Notes, About the Author

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pp. 67-69