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“Pursuing things yet unattempted” in literary criticism, Reginald A. Wilburn offers the first scholarly work to theorize African American authors’ rebellious appropriations of John Milton and his canon. This comparative and hybrid study engages African Americans’ transatlantic negotiations with perhaps the preeminent freedom writer in the English tradition. Preaching the Gospel of Black Revolt: Appropriating Milton in Early African American Literature contends that early African American authors appropriated and remastered Milton by “completing and complicating” England’s epic poet of liberty with the intertextual originality of repetitive difference. Wilburn focuses on a diverse array of early African American authors, such as Phillis Wheatley, Frances Ellen Watkins Harper, Frederick Douglass, and Anna Julia Cooper, to name a few. He examines the presence of Milton in these works as a reflection of early African Americans’ rhetorical affiliations with the poet’s “satanic epic” for their own messianic purposes of freedom and racial uplift. Wilburn explains that early African American authors were attracted to Milton because of his preeminent status in literary tradition, strong Christian convictions, and poetic mastery of the English language. This tripartite ministry makes Milton an especially indispensible intertext for authors whose writings and oratory were, sometimes, presumed “beneath the dignity of criticism.” Through close readings of canonical and obscure texts, Preaching the Gospel of Black Revolt explores how various authors rebelled against such assessments of black intellect by altering Milton’s meanings, themes, and figures beyond orthodox interpretations and imbuing them with hermeneutic shades of interpretive and cultural difference. However they remastered Milton, these artists respected his oeuvre as a sacred yet secular “talking book” of revolt, freedom, and cultural liberation. Preaching the Gospel of Black Revolt particularly draws upon recent satanic criticism in Milton studies, placing it in dialogue with methodologies germane to African American literary studies. By exposing the subversive workings of an intertextual Middle Passage in black literacy, Wilburn invites scholars from diverse areas of specialization to traverse within and beyond the cultural veils of racial interpretation and along the color line in literary studies.

Table of Contents

  1. Cover
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  1. Title page, Editor page, Copyright, Dedication
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  1. Contents
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  1. Acknowledgments
  2. pp. ix-xiv
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  1. 1. Making “Darkness Visible”: Milton and Early African American Literature
  2. pp. 1-56
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  1. 2. Phillis Wheatley’s Miltonic Journeys in Poems on Various Subjects
  2. pp. 57-94
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  1. 3. Black Audio-Visionaries and the Rise of Miltonic Influence in Colonial America and the Early Republic
  2. pp. 95-148
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  1. 4. Of Might and Men: Milton, Frederick Douglass, and Resistant Masculinity as Existential Geography
  2. pp. 149-188
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  1. 5. Breaking New Grounds with Milton in Frances Ellen Watkins Harper’s Moses: A Story of the Nile
  2. pp. 189-228
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  1. 6. Miltonic Soundscapes in Anna Julia Cooper’s A Voice from the South
  2. pp. 229-278
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  1. 7. Returning to Milton’s Hell with Weapons of Perfect Passivity in Sutton E. Griggs’s Imperium in Imperio
  2. pp. 279-326
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  1. Epilogue: Malcolm X, Paradise Lost, and the Twentieth Century Infernal Reader
  2. pp. 327-334
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  1. Notes
  2. pp. 335-360
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  1. Bibliography
  2. pp. 361-378
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  1. Index
  2. pp. 379-392
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Additional Information

ISBN
9780820705972
Related ISBN
9780820704715
MARC Record
OCLC
888316169
Pages
340
Launched on MUSE
2014-08-21
Language
English
Open Access
No
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