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Patricia McKee demonstrates that Richardson, Eliot, and James see disorderliness and indeterminacy in the human self, human relations, and literature as primary sources of meaningfulness. The relationships these novels portray as most satisfying are unsettled and unsettling, interfering with rather than contributing to social stability.

Originally published in 1986.

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Table of Contents

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  1. Cover
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  1. Title Page, Copyright
  2. pp. i-vi
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  1. CONTENTS
  2. pp. vii-viii
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  1. ACKNOWLEDGMENTS
  2. pp. ix-xii
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  1. CHAPTER ONE AN INTRODUCTION OF CRITICAL ISSUES
  2. pp. 3-50
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  1. CHAPTER TWO CORRESPONDING FREEDOMS: LANGUAGE AND THE SELF IN PAMELA
  2. pp. 51-96
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  1. CHAPTER THREE RICHARDSON'S CLARISSA: AUTHORITY IN EXCESS
  2. pp. 97-149
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  1. CHAPTER FOUR POWER AS PARTIALITY IN MIDDLEMARCH
  2. pp. 150-207
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  1. CHAPTER FIVE GEORGE ELIOT'S REDEMPTION OF MEANING: DANIEL DERONDA
  2. pp. 208-269
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  1. CHAPTER SIX THE GIFT OF ACCEPTANCE: THE GOLDEN BOWL
  2. pp. 270-346
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  1. AFTERWORD
  2. pp. 347-350
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  1. INDEX
  2. pp. 351-354
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