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Ronald Hush traces the organic development of the poem and demonstrates that what seems to be eccentricity in the Cantos frequently corresponds to the common practice of Pound's contemporaries.

Originally published in 1977.

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Table of Contents

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  1. Cover
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  1. Title Page, Copyright
  2. pp. i-v
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  1. ACKNOWLEDGMENTS
  2. p. vi
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  1. CONTENTS
  2. pp. vii-viii
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  1. INTRODUCTION
  2. James Longenbach
  3. pp. ix-x
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  1. PREFACE TO THE PAPERBACK EDITION
  2. pp. xi-xvi
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  1. I RED HERRINGS
  2. pp. 3-20
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  1. II A FIRST SET OF STRUCTURAL TERMS
  2. pp. 21-52
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  1. III THE GROWTH OF THREE CANTOS
  2. pp. 53-141
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  1. IV TOWARD A NEW NARRATIVE VOICE
  2. pp. 142-182
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  1. V STAGES OF REVISION
  2. pp. 183-263
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  1. VI "MURMUR OF OLD MEN'S VOICES"
  2. pp. 264-300
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  1. Appendix A
  2. pp. 301-303
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  1. Appendix Β
  2. pp. 304-312
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  1. Appendix C
  2. pp. 313-316
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  1. ABBREVIATIONS
  2. p. 317
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  1. Index
  2. p. 318
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  1. GENERAL INDEX
  2. pp. 319-328
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  1. INDEX OF POUND'S WORKS
  2. pp. 329-332
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