Race, Repression, and Revolution
Publication Year: 2014
Published by: University of Illinois Press
Title Page, Copyright Page, Dedication
My abiding interest in Jean Toomer has indebted me to many scholars, informants, and friends over the years. The late Robert B. Jones first piqued my interest in Toomer. Kent Anderson Leslie was of great assistance in ferreting out biographical information, securing permission to publish Toomer family photographs...
Toomer Genealogical Charts
These three genealogical charts will help the reader untangle Jean Toomer’s complicated family history. The first maps Toomer’s ancestry, beginning with his maternal grandfather, P. B. S. Pinchback. The second outlines the three marriages of Nathan Toomer, Jean Toomer’s father. The third sets forth the family tree of...
In the literature of the Socialist movement in this country there is to be found a rational explanation of the causes of race hatred and, in the light of these, a definite solution, striking at the very root of the evil, is proposed. It is generally established that the causes of race prejudice may primarily be found in the economic structure that compels one worker to compete...
1. Touching Naked Reality: Socialism, the Labor Movement, and the Embers of Revolution
The scholarship on Jean Toomer has largely overlooked the substantial evidence indicating his serious early interest in leftist politics, as well as his abiding leftist conscience. Toomer’s publications in the Socialist press, when taken into account at all, have been routinely interpreted as expressions of a youthful romanticism...
2. The Tight Cocoon: Class, Culture, and the New Negro
It has often been argued that Jean Toomer found his Negro identity in Cane only to lose it soon thereafter. He was presumably dismayed by Horace Liveright’s decision to “feature Negro” in the publicity for Cane; distressed at Waldo Frank’s identifying Toomer as a Negro in his preface to Cane; and furious when Alain...
3. The Experiment in America: Sectional Art and Literary Nationalism
Jean Toomer’s mid-1922 letter to Claude McKay—written soon before the poet would travel to the USSR, where he was to participate in the Fourth World Congress of the Comintern—testifies not just to Toomer’s attraction to current developments in the Soviet Union but also to his increasing fascination with what...
4. All the Dead Generations: Jean Toomer's Dark Sister
At some point in the 1930s, Jean Toomer wrote a poem titled “Be with Me” that ends with the plea, “Do you, dark sister, / Not forsake me.” The poem’s address to this “dark sister” can be interpreted as a reference to the phases of transcendence set forth in the doctrines of George Gurdjieff. The poem can also be interpreted...
5. In the Land of Cotton: "Kabnis"
In the publicity sketch accompanying Liveright’s advertisement for Cane, Jean Toomer wrote that “there can be no cumulative and consistent movement, and of course no central plot to such a book. It is sheer vaudeville. But if it be accepted as a unit of spiritual experience, then one can find in Cane a beginning,...
6. Georgia on His Mind: Part 1 of Cane
Jean Toomer wrote most of the poems and sketches in part 1 of Cane during the six months following his completion of the first draft of “Kabnis” in January 1922. He undertook the fall 1922 trip to South Carolina in the company of Waldo Frank in part because, as he wrote to his friend in July 1922, “the impulse which sprang from...
7. Black and Brown Worlds Heaving Upward: Part 2 of Cane
In part 2 of Cane, Toomer’s critique of capitalist modernity comes to the fore. The voice heard in his New York Call writings of 1919 and 1920 is once again audible, and the 1919 Washington race riot—for him the key domestic event emerging from the postwar conjuncture—signals the arrival of the urban New Negro as...
Coda: Black Super-Vaudeville: History and Form in Cane
We now turn to a brief consideration of the relationship between history and form in Cane. Given the wide range of interpretations of the text’s parts, it comes as no surprise that critics have offered dramatically differing interpretations of the whole. Some have discerned a progression toward resolution and synthesis...
About the Author, Publisher Notes
Page Count: 368
Publication Year: 2014
OCLC Number: 884725798
MUSE Marc Record: Download for Jean Toomer