Subtitling, Stenography, and the Digital Convergence of Text with Television
Publication Year: 2008
Published by: The Johns Hopkins University Press
Introduction: Invisible Speech-to-Text Systems
If you were living in the United States on the morning of September 11, 2001, your household probably possessed at least one television set (98.2% of US households did) and had access to a wide variety of news and entertainment channels via analog or digital cable (68% of all US households with television did). In fact, on an average day that year, ...
Part One. Turning Speech into Text in Three Different Contexts
1. Subtitling Film for the Cinema Audience
In 1930, a short three years after the popular introduction of “talking” motion pictures in the United States with the release of The Jazz Singer starring Al Jolson, a teenaged violin student in New York City named Herman Weinberg was working at the Fifth Avenue Playhouse to adapt the full-orchestral scores of foreign films to the smaller chamber orchestras of the US cinema. He soon found himself out of a job—not...
2. Captioning Television for the Deaf Population
During the fall of 1970, Donald Torr, a professor at Gallaudet College in Washington, DC, was trying hard to get his students to watch more television. This was not an easy task, for Gallaudet was a school for the deaf, and television, as deaf educators well knew, “relies so heavily on an audio track that it is extremely difficult, or simply impossible, for deaf people to understand it.”1 Yet deaf children still watched television, just...
3. Stenographic Reporting for the Court System
The year 1959 was a busy one for Alaska. Having just attained statehood under the approval of the Eisenhower administration, the former territory was now faced with the daunting task of quickly setting up a modern bureaucratic apparatus that would meet the requirements of federal law. In particular, Alaska needed to construct, equip, and staff an entire state court system. But besides building courtrooms, ...
Part Two. Convergence in the Speech-to-Text Industry
4. Realtime Captioning for News, Education, and the Court
It was billed as the “Trial of the Century,” just as others had been decades before, but the O. J. Simpson murder trial in 1994 would be the last claimant to that title for the twentieth century. Not only would the litigation be long and complex, lasting fifteen months and generating nearly fifty thousand pages of transcript as grist for the inevitable appeal and civil suit to follow, but the media interest in this...
5. Public Interest, Market Failure, and Captioning Regulation
In January 1986, The Cosby Show—a half-hour, family-oriented sitcom featuring comedian Bill Cosby and a talented cast of fellow African American actors—had captured the imagination of audiences to become NBC’s highest-rated program. It was also a financial windfall for the previously last-place network. When this prime-time staple was first closed-captioned at the start of its 1985–1986 season, it was raking...
6. Privatized Geographies of Captioning and Court Reporting
In 1993, the same year that the Television Decoder Circuitry Act (TDCA) went into effect, ensuring that anyone who bought a new television set in the United States would have access to closed captioning, the market for captioning labor behind the television screen was undergoing a dramatic change. The National Captioning Institute (NCI) still performed about 80 percent of all captioning for the nation’s television...
Conclusion: The Value of Turning Speech into Text
In 1882, an article in the American Journal of Otology described a wondrous new invention by Amadeo Gentilli called the “glossograph,” a machine that allegedly performed “the automatic transcription, in the form of an easily translatable record, of the human speech at its ordinary rate of utterance.” Gentilli’s device was anything but “easy” for the person using it, however. His first design involved inserting a “false...
List of Abbreviations
Page Count: 400
Illustrations: 22 line drawings
Publication Year: 2008
Series Title: Johns Hopkins Studies in the History of Technology
Series Editor Byline: Merritt Roe Smith, Series Editor See more Books in this Series
MUSE Marc Record: Download for Closed Captioning