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summary
Viewing the work of twelve prominent photographers, including Graciela Iturbide, Pedro Meyer, and Marcos López, this first far-ranging analysis of gendered perspectives in Latin American photography demonstrates the importance of this art form within Latin American cultural production.

Table of Contents

  1. Cover
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  1. Title Page, Copyright Page
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  1. Contents
  2. pp. v-vi
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  1. Preface
  2. pp. vii-xx
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  1. 1. Dreaming in Feminine: Grete Stern’s Photomontages and the Parody of Psychoanalysis
  2. pp. 1-17
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  1. 2. Annemarie Heinrich: Photography, Women’s Bodies, and Semiotic Excess
  2. pp. 18-37
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  1. 3. Woman, Prostitution, and Modernity in Fin-de-siècle Mexico
  2. pp. 38-46
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  1. 4 . Buenos Aires and Women in Crisis: The Photography of Silvina Frydlewsky
  2. pp. 47-62
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  1. 5. Girls Will Be Girls: Daniela Rossell’s Ricas y famosas
  2. pp. 63-71
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  1. 6. Pedro Meyer: Constructing Masculinities, Constructing Photography
  2. pp. 72-83
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  1. 7. Discovering the Male Body: Marcos Zimmermann’s Desnudos sudamericanos
  2. pp. 84-89
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  1. 8. Queering Gender in Graciela Iturbide’s Juchitán de las mujeres
  2. pp. 90-105
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  1. 9. Guille and Belinda: A Protolesbian Arcadian Romance
  2. pp. 106-113
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  1. 10. Homosocialism ◀▶ Homoeroticism in the Photography of Marcos López
  2. pp. 114-127
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  1. 11. Performing Masculine Heterosexuality in Stefan Ruiz’s Photography of Mexican Soap Operas
  2. pp. 128-138
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  1. 12. Helen Zout’s Desapariciones: Shooting Death
  2. pp. 139-152
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  1. 13. Documentary Photography as Gender Testimony: Daniel Hernández-Salazar’s So That All Shall Know
  2. pp. 153-164
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  1. Notes
  2. pp. 165-180
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  1. Works Cited
  2. pp. 181-194
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  1. Index
  2. pp. 195-197
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Additional Information

ISBN
9780292768338
Print ISBN
9780292757936
MARC Record
OCLC
884280130
Pages
217
Launched on MUSE
2014-08-06
Language
English
Open Access
N
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