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T. R. Hummer's new and characteristically pyrotechnic collection takes its title from the rare (in English) singular form of the common word "ephemera." In a work of startling originality, the poet presents a meditation on ephemerality from the point of view of the ephemeron itself as it passes, be it the individual, the atom, the particle.
Hummer's work is existential and atemporal. The scope of the poems gradually broadens from the opening section, also called "Ephemeron," through "Either/Or," which is a fulcrum, on to plural "Ephemera." The vision that emerges is haunting, evoking the aftermath of a physical, psychological, and spiritual apocalypse.
Relentless in its stalking of the boundary between being and nonbeing, Ephemeron becomes a tour-de-force that shines a spotlight into dark corners of Being, revealing yet more darkness.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright, Dedication
  2. pp. i-vi
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  1. Contents
  2. pp. vii-x
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  1. I. Ephemeron
  1. Ephemeron
  2. pp. 1-2
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  1. Interrogations
  2. pp. 3-4
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  1. System
  2. p. 5
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  1. Toxins
  2. pp. 6-7
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  1. Landscape with Scent of Scorching Cabbage
  2. p. 8
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  1. Minor Epic with Misread First Line from Yannis Ritsos
  2. p. 9
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  1. Abandon
  2. p. 10
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  1. Ad Hominem
  2. p. 11
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  1. Argument from Design
  2. p. 12
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  1. Fallacy of Composition
  2. p. 13
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  1. Bad Infinity
  2. p. 14
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  1. Assimilation
  2. p. 15
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  1. Fallacy of Accident
  2. p. 16
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  1. Biography of Eros
  2. p. 17
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  1. Rather than Nothing
  2. p. 18
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  1. Bald Man Fallacy
  2. p. 19
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  1. Implosions
  2. pp. 20-21
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  1. Nothing Beautiful Except that which Does Not Exist
  2. p. 22
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  1. Everything in the Past is a Particle
  2. p. 23
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  1. Everything in the Future Is a Wave
  2. p. 24
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  1. Melancholia for Dummies
  2. p. 25
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  1. Schematic
  2. p. 26
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  1. Case History
  2. p. 27
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  1. Notes for an Epitaph
  2. p. 28
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  1. II. Either/Or
  1. Either
  2. p. 31
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  1. /
  2. p. 32
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  1. Or
  2. pp. 33-34
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  1. III. Ephemera
  1. Ephemera
  2. pp. 37-38
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  1. Theory
  2. p. 39
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  1. Canon
  2. pp. 40-41
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  1. Inventory
  2. p. 42
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  1. Everything that Is the Case
  2. p. 43
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  1. Evening Report
  2. p. 44
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  1. Memoir
  2. p. 45
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  1. Report on the Western Terrain
  2. p. 46
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  1. A Catalog of Landscapes Viewed in a Claude Glass
  2. p. 47
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  1. From Abroad
  2. p. 48
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  1. Genocides
  2. pp. 49-50
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  1. Work Order
  2. p. 51
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  1. Registry of Corpses, the Arrangement of which is a Reverse Chronology According to Death Date
  2. p. 52
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  1. Erotic Manual
  2. p. 53
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  1. A Description of the Mechanism
  2. p. 54
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  1. Practice Music
  2. p. 55
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  1. Manifest
  2. p. 56
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  1. Observatory
  2. p. 57
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  1. Infinite by Virtue of Its Everlastingness
  2. p. 58
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  1. Bounded by Its Own Completeness
  2. p. 59
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  1. Singularity
  2. pp. 60-61
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  1. The Illegibility of Providence
  2. p. 62
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  1. Algorithms for Calculating Precise Distortion
  2. p. 63
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  1. The Unwritten History of Prose
  2. p. 64
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  1. Abandoned Draft
  2. p. 65
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  1. Reruns of the Apocalypse
  2. pp. 66-67
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