Cover

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Title Page, Copyright

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pp. iii-iv

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Dedication

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pp. v-vii

...For Jeremy For Phineas, Zephyrus & Thalassa Also for my parents & grandmother...

Contents

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pp. viii-x

From Cave Canem

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pp. xi-xii

I

From Po Tolo to Emma Ya

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pp. 3-6

Improbable Wings

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pp. 7-9

Metaphor

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pp. 10-10

Kock Vas Zovut?

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pp. 11-11

Whiskey

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pp. 12-12

The Farm-Labor Camp Is JustDown The Road

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pp. 13-13

Gandy Dance

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pp. 14-14

Echoic

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pp. 15-15

Welshpool, c. 1807

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pp. 16-16

Midway Atoll

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pp. 17-17

Kam Wah Chung & Co.

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pp. 18-19

Their Flight Is Practically Silent . . .

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pp. 20-20

My Jenny

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pp. 21-21

Composition

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pp. 22-22

II

Entelechy

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pp. 25-25

Afterlife

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pp. 26-26

This Scold’s Bridle . . .

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pp. 27-27

Splendid Wreckage

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pp. 28-30

Inari

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pp. 31-31

Apologia

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pp. 32-34

Chinchorro

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pp. 35-35

HMV

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pp. 36-37

What You Can See from Here

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pp. 38-39

The Mind’s Alaska

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pp. 40-41

Tenants

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pp. 42-42

House Drawn by a Child

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pp. 43-44

Dream Diptych

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pp. 45-46

III

Cartography

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pp. 49-49

Mine

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pp. 50-51

Alessio’s Hand

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pp. 52-52

The Arrangement

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pp. 53-53

Drone & Buck

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pp. 54-54

“Death Taps Quietly . . .”

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pp. 55-56

Ground Water, Enchanted

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pp. 57-61

Cave Canem

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pp. 62-65

Small Change

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pp. 66-66

Deus ex Machina

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pp. 67-70

Indeed, Velocity’s Simply Stunning . . .

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pp. 71-72

Wind Egg

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pp. 73-74

Kingdom

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pp. 75-76

Cursing Pot

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pp. 77-78

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Acknowledgments

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pp. 79-80

...With gratitude to my late colleague David Deal, to Judy Deal, and to Shu-Chu Wei-Peng. Thanks to Whitman College for the gift of time. I appreciate everyone at the University of Washington Press, especially Linda Bierds for her belief in my work...

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About the Poet

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pp. 81-83

...Tytonidae Cellars and the Walla Walla Distilling Company. They live with their three young children on a small farm in southeast Washington State. Photo by Kimberly Miner...