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The Revival of Metaphysical Poetry was first published in 1959. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

The metaphysical style, as expressed in its most distinguished and distinguishable form by the seventeenth-century poet John Donne, has had an increasing influence on latterday critics and poets. Thus it is important to an understanding of literary history to examine this revival. Professor Duncan traces the movement and analyzes changing interpretations of the style in the work of British and American poets and critics. He shows that much of the "new criticism" and the metaphysical poetry of T. S. Eliot and that of the metaphysical style has thrived on fresh critical interpretation and vital poetic experimentation.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright, Dedication
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  1. Acknowlegdments
  2. pp. vii-viii
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  1. Table of Contents
  2. pp. ix-x
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  1. Introduction
  2. pp. 3-5
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  1. I: Early Conceptions of Metaphysical Poetry
  2. pp. 6-28
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  1. II: Seeds of the Revival
  2. pp. 29-49
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  1. III: John Donne and Robert Browning
  2. pp. 50-68
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  1. IV: The Beginnings of the Revival In America
  2. pp. 69-88
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  1. V: The Catholic Revival and the Metaphysicals
  2. pp. 89-112
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  1. VI: The Metaphysical Revival, 1872-1912
  2. pp. 113-129
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  1. VII: Yeats, Donne, and the Metaphysicals
  2. pp. 130-142
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  1. VIII: Eliot and the Twentieth-Century Revival
  2. pp. 143-164
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  1. IX: Metaphysicals and Critics Since 1912
  2. pp. 165-181
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  1. X: The Metaphysical Florescence
  2. pp. 182-202
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  1. Retrospective
  2. pp. 203-208
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  1. Notes
  2. pp. 209-222
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  1. Index
  2. pp. 223-227
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