In this Book

University of Minnesota Press
summary
An exploration of the intersection of colonialism and homosexuality in fiction and travel writing from Robinson Crusoe to the present, this volume brings together two dynamic fields of academic inquiry: colonial discourse analysis, which considers literary texts as expressions of colonial power; and queer theory, which interrogates the representation, enforcement, and subversions of sexualities in literature and culture. These writers reexamine the work of Kipling, Conrad, Forster, Lessing, and others, ranging from male adventure stories to postcolonial novels. This volume will provoke and inform readers concerned with gender and sexuality, colonial history and literature, or with any of the works and authors revisited—and reexperienced—here. Contributors: Anjali Arondekar, U of California, Santa Cruz; John C. Beynon, California State U, Fresno; Joseph A. Boone, USC; Sarah Cole, Columbia U; Lois Cucullu, U of Minnesota; Maria Davidis, Cornell; Dennis Denisoff, Ryerson U; Mark Forrester, U of Maryland; Terry Goldie, York U; Christopher Lane, Northwestern U; Tim Middleton, Bath Spa U College, UK; Hans Turley, U of Connecticut.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright
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  1. Contents
  2. pp. v-viii
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  1. Introduction
  2. Philip Holde, Richard J. Ruppel
  3. pp. ix-xxvi
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  1. PART I: Frontiers and Discoveries
  1. 1. The Sublimation of Desire to Apocalyptic Passion in Defoe’s Crusoe Trilogy
  2. Hans Turley
  3. pp. 3-20
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  1. 2. Lady Mary Wortley Montagu’s Sapphic Vision
  2. John C. Beynon
  3. pp. 21-43
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  1. 3. The Guise of Friendship
  2. Terry Goldie
  3. pp. 44-62
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  1. PART II: Queering the New Imperialism
  1. 4. Lingering Pleasures, Perverted Texts: Colonial Desire in Kipling’s Anglo-India
  2. Anjali Arondekar
  3. pp. 65-89
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  1. 5. Fantasies of “Lady Pioneers,” between Narrative and Theory
  2. Christopher Lane
  3. pp. 90-114
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  1. 6. Redressing the Empire: Anthony Trollope and British Gender Anxiety in “The Banks of the Jordan”
  2. Mark Forrester
  3. pp. 115-132
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  1. PART III: Century’s End: Conrad’s Queer Indirections
  1. 7. From Mimicry to Menace: Conrad and Late-Victorian Masculinity
  2. Tim Middleton
  3. pp. 135-151
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  1. 8. “Girl! What? Did I Mention a Girl?” The Economy of Desire in Heart of Darkness
  2. Richard J. Ruppel
  3. pp. 152-171
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  1. 9. Homoerotic Heroics, Domestic Discipline: Conrad and Ford’s Romance
  2. Sarah Cole
  3. pp. 172-192
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  1. PART IV: Other Colonialisms
  1. 10. “Only Cathect”: Queer Heirs and Narrative Desires in Howards End
  2. Lois Cucullu
  3. pp. 195-222
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  1. 11. “Unarm, Eros!” Adventure, Homoeroticism, and Divine Order in Prester John
  2. Maria Davidis
  3. pp. 223-240
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  1. 12. Many Lips Will I Kiss: The Queer Foreplay of “the East” in Russian Aestheticism
  2. Dennis Denisoff
  3. pp. 241-260
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  1. 13. Sex/Race Wars on the Frontier: Homosexuality and Colonialism in The Golden Notebook
  2. Joseph A. Boone
  3. pp. 261-294
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  1. Coda: Rethinking Colonial Discourse Analysis and Queer Studies
  2. Philip Holden
  3. pp. 295-322
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  1. Contributors
  2. pp. 323-326
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  1. Index
  2. pp. 327-335
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