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summary
Flash Cards is a primer of modern Chinese life—constructing a complex philosophical vision from swatches of daily events and observations. As Yu Jian has written about his own work: "It is possible to see eternity—to see everything—in a teacup or a candy wrapper. Everything in the world is poetry." The JINTIAN [今天] series of contemporary literature features new and innovative writing from mainland China and abroad. Titles in the series are edited by Bei Dao, Lydia H. Liu, and Christopher Mattison. A collaborative venture between Zephyr Press, the Jintian Literary Foundation, and The Chinese University Press, each bilingual title highlights the ever-changing literary culture of China while simultaneously expanding the English language with a wave of new voices in translation.

Table of Contents

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  1. Title Page, Copyright
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  1. Contents
  2. pp. v-vii
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  1. A Note on Translating Yu Jian
  2. pp. xii-xvi
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  1. Firm, Steadfast, Staunch, Resolute: Yu Jian’s Flash Cards
  2. Simon Patton
  3. pp. 12-17
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  1. 1. I arrive at his living room with a poem
  2. pp. 2-3
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  1. 2. In the beginning is the rabbit
  2. pp. 4-5
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  1. 3. I see a rose
  2. pp. 6-7
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  1. 4. When I work
  2. pp. 8-9
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  1. 5. The property where the palm tree lives
  2. pp. 10-11
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  1. 6. With a shaved head
  2. pp. 12-13
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  1. 7. A tree
  2. pp. 14-15
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  1. 8. Morning time to brush my teeth
  2. pp. 16-17
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  1. 9. If I compare spring to a temple
  2. pp. 18-19
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  1. 10. A letter
  2. pp. 20-21
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  1. 11. The road that goes there
  2. pp. 22-23
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  1. 12. You’re about to become
  2. pp. 24-25
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  1. 13. I write in autumn
  2. pp. 26-27
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  1. 14. The washing machine on Saturday
  2. pp. 26-29
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  1. 15. The poet is hosting a meeting
  2. pp. 30-31
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  1. 16. It’s used for holding carp
  2. pp. 32-33
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  1. 17. In the Nu River forest
  2. pp. 34-35
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  1. 18. The lone white eucalyptus
  2. pp. 36-37
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  1. 19. Originally this poem was written
  2. pp. 38-39
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  1. 20. The salesman who sells
  2. pp. 40-41
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  1. 21. Autumn is coming
  2. pp. 42-43
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  1. 22. Outside my window
  2. pp. 44-45
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  1. 23. A member of the proletariat
  2. pp. 46-47
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  1. 24. Finishing Poem #54
  2. pp. 48-49
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  1. 25. The alarm clock doesn’t ring
  2. pp. 50-51
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  1. 26. Someone discovered Xi Shuang Ban Na
  2. pp. 52-53
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  1. 27. According to both theory and practice
  2. pp. 54-55
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  1. 28. Autumn is deep
  2. pp. 56-57
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  1. 29. If you want to make every word
  2. pp. 58-59
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  1. 30. If you want to make every word
  2. pp. 60-61
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  1. 31. The supermarket’s concrete foundation
  2. pp. 62-63
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  1. 32. Oh this is the merry-go-round
  2. pp. 64-65
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  1. 33. In the zoo where dark is falling
  2. pp. 66-67
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  1. 34. Night along the Nu River is strange
  2. pp. 68-69
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  1. 35. In the middle of the horse going
  2. pp. 70-71
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  1. 36. The poet walks on the road
  2. pp. 72-73
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  1. 37. The architect for the madhouse
  2. pp. 74-77
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  1. 38. Certain things are placed
  2. pp. 78-79
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  1. 39. There’s a pleasure
  2. pp. 80-81
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  1. 40. Under the moon
  2. pp. 82-83
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  1. 41. Red lights
  2. pp. 84-85
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  1. 42. Another autumn
  2. pp. 86-87
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  1. 43. The road to death
  2. pp. 88-89
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  1. 44. A black leopard
  2. pp. 90-91
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  1. 45. Ancient lungs screech
  2. pp. 92-93
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  1. 46. (Poetry Recipe)
  2. pp. 94-95
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  1. 47. A wolf passes through the valley
  2. pp. 96-97
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  1. 48. A cold front is attacking the city
  2. pp. 98-99
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  1. 49. Along the River Dimaluo
  2. pp. 100-101
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  1. 50. The afternoon sun
  2. pp. 102-103
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  1. 51. An eighteen-year-old college girl
  2. pp. 104-105
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  1. 52. On the garden’s eyelashes
  2. pp. 106-107
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  1. 53. The car zooms across the high plateau
  2. pp. 108-109
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  1. 54. In 1998
  2. pp. 110-111
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  1. 55. You’re too vulgar
  2. pp. 112-113
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  1. 56. I always try to reach
  2. pp. 114-115
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  1. 57. You must confess honestly
  2. pp. 116-117
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  1. 58. He’s walking others are walking too
  2. pp. 118-119
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  1. 59. Inscrutable thoughts
  2. pp. 120-121
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  1. 60. Peeling an apple at dusk
  2. pp. 122-123
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  1. 61. In springtime girls run
  2. pp. 124-125
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  1. 62. On the stage
  2. pp. 126-127
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  1. 63. The golden age is coming soon
  2. pp. 128-129
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  1. 64. The eggshell breaks in the afternoon
  2. pp. 130-131
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  1. 65. A clean sanitized square
  2. pp. 132-133
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  1. 66. Afternoon in a remote mountain
  2. pp. 134-135
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  1. 67. The injury didn’t come from
  2. pp. 136-139
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  1. 68. The well at the old house
  2. pp. 140-141
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  1. 69. Poet Chen Ping is a policeman
  2. pp. 142-143
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  1. 70. The red land rolls on beneath the sky
  2. pp. 144-145
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  1. 71. The driver pointed to a village
  2. pp. 146-147
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  1. 72. That day I passed by
  2. pp. 148-149
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  1. 73. Morning in the park
  2. pp. 150-152
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