In this Book

buy this book Buy This Book in Print
summary
From a hotel in Marrakech in The Man Who Knew Too Much, to small-town Alabama in To Kill a Mockingbird, to Mission Control in Space Cowboys, creating a fictional, yet wholly believable world in which to film a movie has been the passion and life’s work of Henry Bumstead, one of Hollywood’s most celebrated production designers. In a career that has spanned nearly seventy years, Bumstead has worked on more than one hundred movies and television films. His many honors include Academy Awards for Art Direction for To Kill a Mockingbird and The Sting, as well as nominations for Vertigo and The Unforgiven. This popularly written and extensively illustrated book tells the intertwining stories of Henry Bumstead’s career and the evolution of Hollywood art direction. Andrew Horton combines his analysis of Bumstead’s design work with wide-ranging interviews in which Bumstead talks about working with top directors, including Alfred Hitchcock, George Roy Hill, Robert Mulligan, and Clint Eastwood, as well as such stars as Paul Newman, Robert Redford, Doris Day, Jimmy Stewart, Sidney Poitier, Bill Cosby, Jerry Lewis, and James Cagney. Numerous production drawings, storyboards, and film stills illustrate how Bumstead’s designs translated to film. This portrait of Bumstead’s career underscores an art director’s crucial role in shaping the look of a film and also tracks the changes in production design from the studio era through location shooting to today’s use of high-tech special effects.

Table of Contents

restricted access Download Full Book
  1. Cover
  2. restricted access
    • Download PDF Download
  1. Frontmatter
  2. restricted access
    • Download PDF Download
  1. Contents
  2. p. vii
  3. restricted access
    • Download PDF Download
  1. Acknowledgments
  2. p. ix
  3. restricted access
    • Download PDF Download
  1. Introduction: "Not Everything You Draw Shows Up in the Shot!"
  2. pp. 1-19
  3. restricted access
    • Download PDF Download
  1. 1. The Parmount Years: "We All Wore Suits and Ties"
  2. pp. 18-48
  3. restricted access
    • Download PDF Download
  1. 2. The Hitchcock Films: "Never in My Wildest Dreams!"
  2. pp. 49-73
  3. restricted access
    • Download PDF Download
  1. 3. Universal Studios, Robert Mulligan, and To Kill a Mockingbird
  2. pp. 74-93
  3. restricted access
    • Download PDF Download
  1. 4. Working with George Roy Hill: From Dresden to Venice and Everywhere in Between
  2. pp. 94-119
  3. restricted access
    • Download PDF Download
  1. 5. The Eastwood Films: "Clint Does His Homework"
  2. pp. 120-146
  3. restricted access
    • Download PDF Download
  1. 6. Final Takes on a Handful of Favorites
  2. pp. 147-166
  3. restricted access
    • Download PDF Download
  1. Toward a Conclusion
  2. pp. 167-172
  3. restricted access
    • Download PDF Download
  1. Notes
  2. pp. 173-174
  3. restricted access
    • Download PDF Download
  1. Filmography
  2. pp. 175-180
  3. restricted access
    • Download PDF Download
  1. Selected Bibliography
  2. pp. 181-184
  3. restricted access
    • Download PDF Download
  1. Index
  2. pp. 185-193
  3. restricted access
    • Download PDF Download
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.