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"A polished poet of extraordinary skill.... Levine is caught between wholehearted love of the world's beauty and sorrow at its unavoidable misery and suffering." -- Library Journal
With an astonishing grasp of language and detail, Julia Levine enacts a visceral, lyric experience that slips wildly between and within tragedy and grace. In Small Disasters Seen in Sunlight, her fourth collection, Levine offers far-ranging subjects, including poems about a friend's suicide and the poet's own interactions with traumatized children, as well as a series of revision poems that question the imagination's infinite possibilities for creation. In "Strolling in Late April," a woman with dementia wanders in a park filled with springtime beauty, while in "Tahoe Wetlands," the speaker recalls a rape at gunpoint through the merciful distance of time.
At times humorous, ironic, and even redemptive, these poems are infused with lush images of the natural and physical world. Levine's work pries apart small places that exist within the spaces between beauty and trauma in an ordinary life. Ultimately, the poems affirm our human resilience, made possible by the presence and help of others: "carrying something of the unbearable / between us until it could be borne."

Table of Contents

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  1. Cover
  2. p. C
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  1. Title Page, Copyright Page
  2. pp. i-viii
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  1. Contents
  2. pp. ix-xii
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  1. At the Hog Island Oyster Company
  2. pp. 1-2
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  1. I: Ruthless Furnace
  1. St. Augustine, Florida
  2. pp. 5-6
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  1. A Week of Storms
  2. pp. 7-8
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  1. Heat Wave on the Children’s Unit
  2. p. 9
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  1. Instead of Orchids or an Elegy of Swans
  2. p. 10
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  1. Strolling in Late April
  2. p. 11
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  1. On the Dementia Floor
  2. p. 12
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  1. After Visiting Your Mother, We Drive to the Rifle Range
  2. p. 13
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  1. Small Disasters Seen in Sunlight
  2. pp. 14-22
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  1. II: Locomotive of the Lord
  1. Netherland
  2. p. 25
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  1. Post-Surgery Narratives in Triptych
  2. pp. 26-27
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  1. In One of Ten Thousand Versions
  2. pp. 28-29
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  1. In Another Version, I Have a Child with God
  2. pp. 30-31
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  1. In a Later Version
  2. p. 32
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  1. In Another Version, I Play Gin Rummy with Satan
  2. pp. 33-34
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  1. All Night You Ask the Children of the World to Forgive You
  2. pp. 35-36
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  1. III: Magnitude
  1. At the Zoo
  2. p. 39
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  1. The Viewing
  2. p. 40
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  1. The First Spring Since You Died
  2. p. 41
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  1. Now and Then
  2. p. 42
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  1. I Tell My Dead Father a Secret
  2. pp. 43-45
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  1. Instruments of Loss and Wind
  2. p. 46
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  1. Letter to My Newly Widowed Mother
  2. pp. 47-48
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  1. IV: risking delight
  1. Poem Ending with an Unanswered Question
  2. p. 51
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  1. Adultery
  2. p. 52
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  1. You Tell Me The End
  2. p. 53
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  1. Inheritance
  2. p. 54
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  1. In the Real Paradise
  2. p. 55
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  1. Menarche
  2. p. 56
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  1. When the Door Between Worlds Finally Opened
  2. pp. 57-58
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  1. The Raccoon
  2. p. 59
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  1. We Sit in a Beached Rowboat
  2. p. 60
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  1. Leave-Taking
  2. p. 61
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  1. Eventually
  2. p. 62
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  1. V: music despite everything
  1. Tahoe Wetlands
  2. pp. 65-66
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  1. Tahoe City, 1988
  2. pp. 67-68
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  1. Ode to Fruit Flies
  2. p. 69
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  1. Songbird
  2. pp. 70-71
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  1. Yes to the Youth at an Outdoor Concert
  2. p. 72
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  1. Garden Party as the Prow of a Small Ship Traveling
  2. pp. 73-74
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  1. Variations on Rupture and Repair: Horse
  2. p. 75
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  1. Interlude
  2. pp. 76-77
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  1. Variations on Rupture and Repair: Cottage
  2. p. 78
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  1. In Praise of What Remains
  2. pp. 79-82
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  1. Notes
  2. p. 83
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