In this Book

Hispanic Baroques
summary
Essays focus on Baroque as a concept and category of analysis which has been central to an understanding of Hispanic cultures during the last several hundred years

Table of Contents

  1. Cover
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  1. Table of Contents
  2. pp. vii-viii
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  1. Introduction: The Baroque and the Cultures of Crises
  2. pp. ix-xxxvi
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  1. Part I. The Baroque and Its Dark Sides
  2. p. 1
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  1. Chapter 1. On the Notion of a Melancholic Baroque
  2. pp. 3-19
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  1. Chapter 2. Aesthetic Categories as Empire Administration Imperatives: The Case of the Baroque
  2. pp. 20-51
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  1. Part II. Baroque Anxieties and Strategies of Survival
  2. p. 53
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  1. Chapter 3. Of Baroque Holes and Baroque Folds
  2. pp. 55-71
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  1. Chapter 4. Models of Subjectivity in the Spanish Baroque: Quevedo and Graci
  2. pp. 72-86
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  1. Chapter 5. Horror (Vacui): The Baroque Condition
  2. pp. 87-104
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  1. Part III. Institutions and Subjectivities in Baroque Spain
  2. p. 105
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  1. Chapter 6. From Hieroglyphic Presence to Representational Sign: An Other Point of View in the Auto Sacramental
  2. pp. 107-136
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  1. Chapter 7. The Challenges of Freedom: Social Reflexivity in the Seventeenth-Century Spanish Literary Field
  2. pp. 137-161
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  1. Chapter 8. Revisiting the Culture of the Baroque: Nobility, City, and Post-Cervantine Novella
  2. pp. 162-183
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  1. Part IV. Strategies of Identity in the Colonial Context
  2. p. 185
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  1. Chapter 9. Perspectives on Mestizaje in the Early Baroque: Inca Garcilaso and Cervantes
  2. pp. 187-204
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  1. Chapter 10. Freedom and Containment in Colonial Theology: Sor Juana’s Carta atenagórica
  2. pp. 205-221
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  1. Part V. The Baroque and Its Transgressive Recyclings
  2. p. 239
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  1. Chapter 12. Baroque/Neobaroque/Ultrabaroque: Disruptive Readings of Modernity
  2. pp. 241-281
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  1. Afterword: Redressing the Baroque
  2. pp. 283-305
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  1. Contributors
  2. pp. 307-310
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  1. Index
  2. pp. 311-322
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