In this Book

summary
When published in 1973, Gravity’s Rainbow expanded our sense of what the novel could be. Pynchon’s extensive references to modern science, history, and culture challenged any reader, while his prose bent the rules for narrative art and his satirical practices taunted U.S. obscenity and pornography statutes. His writing thus enacts freedom even as the book’s great theme is domination: humanity’s diminished “chances for freedom” in a global military-industrial system birthed and set on its feet in World War II. Its symbol: the V-2 rocket. .

“Gravity’s Rainbow,” Domination, and Freedom broadly situates Pynchon’s novel in “long sixties” history, revealing a fiction deeply of and about its time. Herman and Weisenburger put the novel’s abiding questions about freedom in context with sixties struggles against war, restricted speech rights, ethno-racial oppression, environmental degradation, and subtle new means of social and psychological control. They show the text’s close indebtedness to critiques of domination by key postwar thinkers such as Erich Fromm, Herbert Marcuse, and Hannah Arendt. They detail equally powerful ways that sixties countercultural practices—free-speech resistance played out in courts, campuses, city streets, and raucously satirical underground presswork--provide a clearer bearing on Pynchon’s own satirical practices and their implicit criticisms.

If the System has jacketed humanity in a total domination, may not a solitary individual still assert freedom? Or has the System captured all—even supposedly immune elites—in an irremediable dominion? Reading Pynchon’s main characters and storylines, this study realizes a darker Gravity’s Rainbow than critics have been willing to see. .

Table of Contents

  1. Cover
  2. pp. C-C
  3. restricted access Download |
  1. Title Page, Copyright Page
  2. pp. i-iv
  3. restricted access Download |
  1. Contents
  2. pp. v-vi
  3. restricted access Download |
  1. Acknowledgments
  2. pp. vii-x
  3. restricted access Download |
  1. “What’s Free?” (An Introduction)
  2. pp. 1-18
  3. restricted access Download |
  1. One: Novel and Decade
  2. pp. 19-23
  3. restricted access Download |
  1. Chapter 1: Fromm and the Neo-Freudian Library
  2. pp. 24-33
  3. restricted access Download |
  1. Chapter 2: Marcuse: (No) Chances for Freedom in Advanced Industrial Society
  2. pp. 34-41
  3. restricted access Download |
  1. Chapter 3: Brown’s Polymorphous Perversity and Marcuse’s Repressive Tolerance
  2. pp. 42-50
  3. restricted access Download |
  1. Chapter 4: Total Assault on the Culture
  2. pp. 51-71
  3. restricted access Download |
  1. Chapter 5: The Law and the Liberation of Fantasy
  2. pp. 72-82
  3. restricted access Download |
  1. Two: Domination
  2. pp. 83-91
  3. restricted access Download |
  1. Chapter 6: Controlling Slothrop
  2. pp. 92-105
  3. restricted access Download |
  1. Chapter 7: War as a Cartel Project
  2. pp. 106-113
  3. restricted access Download |
  1. Chapter 8: Working for the Nazis
  2. pp. 114-127
  3. restricted access Download |
  1. Chapter 9: The Logic of the Camp
  2. pp. 128-150
  3. restricted access Download |
  1. Three: Freedom
  2. pp. 151-158
  3. restricted access Download |
  1. Chapter 10: Liberating Narration
  2. pp. 159-175
  3. restricted access Download |
  1. Chapter 11: Narrating Liberation
  2. pp. 176-198
  3. restricted access Download |
  1. Chapter 12: Tyrone Slothrop’s “Fuck You!”
  2. pp. 199-214
  3. restricted access Download |
  1. “Too Late” (A Conclusion)
  2. pp. 215-222
  3. restricted access Download |
  1. Notes
  2. pp. 223-246
  3. restricted access Download |
  1. Index
  2. pp. 247-258
  3. restricted access Download |

Additional Information

ISBN
9780820346557
Related ISBN
9780820335087
MARC Record
OCLC
867630997
Pages
224
Launched on MUSE
2014-05-07
Language
English
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.