In this Book

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summary
This book offers a critical analysis and reinterpretation of Karl Barth’s theology of culture—the least studied aspect of his work—revealing his significance for contemporary work in theology of culture by applying his approach to the study of popular culture and entertainment. Grounding the study in Barth’s eschatology, which proves more amenable to secular culture than other models, DeCou shows that Barth’s approach recognized that the freedom of theology is qualified by the freedom of the Word and the freedom of secular culture. Barth therefore offers a “middle way” for evaluating and analyzing culture and religious forms. This book thus opens up a new avenue of interpretation of Barth and applies the insights of Barth’s theology in fresh ways to the structures of contemporary culture and its products.

Table of Contents

  1. Cover
  2. pp. 1-1
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  1. Title Page, Copyright
  2. pp. 2-5
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  1. Contents
  2. pp. v-viii
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  1. Acknowledgments
  2. pp. ix-xii
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  1. Abbreviations
  2. pp. xiii-xiv
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  1. Introduction
  2. pp. 1-26
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  1. Part I. Karl Barth’s Theology of Culture
  2. pp. 27-28
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  1. 1. Geistproblem and Kulturproblem: Barth’s Response to Schleiermacher
  2. pp. 29-54
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  1. 2. “Serious” Questions about “True Words” in Culture: Barth’s Approach to Culture in CD IV/3
  2. pp. 55-82
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  1. 3. Re-Creation and Recreation: Barth’s Eschatological Perspective on Culture
  2. pp. 83-114
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  1. 4. Encounter in Freedom, Unity in Play: Barth’s Hermeneutic of Culture
  2. pp. 115-142
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  1. Part II. Toward a Barthian Theology of Popular Culture
  2. pp. 143-144
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  1. 5. Affirmation or Abomination: Barth and Popular Entertainment
  2. pp. 145-178
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  1. 6. Summoned to Play Properly: Honest Work and the Theologian of Popular Culture
  2. pp. 179-200
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  1. 7. “(Titles Are Hard)”: Honest Work and the Task of Popular Entertainment
  2. pp. 201-256
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  1. Bibliography
  2. pp. 257-264
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  1. Index
  2. pp. 265-268
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  1. Back Cover
  2. pp. 284-284
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